Flacon de Cave (Wine Decanter Flacon) c1830-1938

Guerlain’s Flacon de Cave, also referred to as the Flacon Chinois, is a quintessential example of early 19th- and early 20th-century perfume bottle design, in use from approximately 1830 to 1938. Typically produced in a generous 500 cc size, this bottle served as the standard vessel for a wide range of Guerlain products, including eaux de colognes and eaux de toilettes. Each bottle was accompanied by a label clearly indicating the product, reflecting both practicality and the house’s attention to presentation.

Crafted by the esteemed glassmaker Pochet et du Courval, the Flacon de Cave is characterized by its substantial form, often cylindrical or slightly tapered, reminiscent of traditional wine decanters, which may explain the alternate designation. Many examples were gilded, adding a touch of luxury and highlighting the elegance of the era’s commercial perfume containers. This bottle represents both the functional and decorative priorities of Guerlain during the period, combining a generous capacity with a refined aesthetic suitable for display in both domestic and professional settings.

Sizes:

• 500cc/500ml/16 oz - 21cm/8.27" (1830-1938), engraved with Femme Drapeaux on reverse until 1911 
• 125cc/125ml/4.2 oz - 16cm/6.3" (1911-1938)

Bottles:

Flacon Chauve Souris (The Bat) 1924

The Flacon Chauve-Souris (“The Bat”), introduced in 1924, is a masterful creation by Raymond Guerlain in collaboration with Baccarat, designed exclusively to hold the extrait of Shalimar. Its urn-shaped form, also referred to as “fan-shaped,” presents a bold yet elegant silhouette, with a fluted pedestal base that captures and refracts light, giving the crystal a sense of depth and vibrancy. The bottle was created for the Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris in 1925, a seminal event that helped define the Art Deco movement, positioning Shalimar not just as a perfume but as an object of modern artistic expression. Over time, the Chauve-Souris bottle was also produced by several other esteemed glasshouses, including Pochet et du Courval, Saint-Gobain Desjonqueres, Cristal Nancy, Verreries Brosse, and Cristal Romesnil, further cementing its reputation as a design icon.

Typically, the bottle features clear crystal paired with a blue glass or blue-flashed stopper, inscribed with “Guerlain Paris” in gold lettering. A rare variation exists with a plain clear crystal stopper, making it highly sought after by collectors. Early examples (1925-1936.) of the bottle had stoppers drilled at the base to allow the cording used in the finishing process—known as baudruchage—to be threaded through and wrapped around the neck, sealing the bottle. The loose, twisted ends of the cording is then carefully combed out during barbichage, or "bearding" and then brushed out by hand by the "dames de table" in a process known as brossage which results in a fanciful, fluffy tassel. The "dames de table" have perfected this method so that it only takes them four minutes at a time to finish the baudruchage ritual of each Shalimar flacon. Bottles made after 1936 no longer required drilling in the stopper, though the cording and metal Guerlain “G” seal continued to be used to ensure the bottle remained securely closed.

The Chauve-Souris bottle was presented in a luxurious lilac flocked hinged box, simulating velvet, with a tailored compartment ensuring the bottle rested perfectly inside. Collectors can identify the provenance and value of a bottle by checking the acid stamps on the base from Baccarat, Cristal Nancy, or Cristal Romesnil, or the entwined HP mark of Pochet et du Courval. 

Cristal Nancy closed its doors in 1931 and was acquired by Baccarat so if your bottle is marked with the Cristal Nancy logo, your bottle was made between 1925 and 1931. Cristal Nancy made bottles in similar sizes and capacities to those of Baccarat.

A very rare early detail noted by Roja Dove was the subtle violet iridescence on some stoppers, originally achieved through a mercury firing process, though Guerlain later clarified that mercury was never used in their stopper production.

The Flacon Chauve-Souris represents both technical innovation and artistic elegance, combining Baccarat’s precision glassmaking, Guerlain’s visionary design, and meticulous finishing techniques. Its introduction at the 1925 Exposition, along with the elaborate finishing rituals and luxurious presentation, underscores the bottle’s role as both a functional vessel and an objet d’art, capturing the glamour, craftsmanship, and sophistication of early 20th-century French perfumery.

By 1997, Shalimar was available in the following Chauve Souris sizes: 

• 7.5ml = 7.4cm
• 15ml = 10.2cm
• 30ml = 14.9cm
• 60ml = 16.4cm
• 125ml = 20.8cm

By 1997,  the 250ml, 500ml, 1 liter and 1.5 liter (39cm) sizes were only available by special order.

Although Shalimar is often credited as the first perfume to feature a pedestal base paired with a colored glass stopper, this claim is somewhat of a myth. As a perfume historian, it is clear that a very similar bottle had already been produced for Talis by Bourjois, created by Cristalleries de Saint-Louis in 1912. This same design was later used for the 1922 fragrance Miss Kate, demonstrating that the combination of a pedestal and a colored stopper predated Shalimar by more than a decade. While Shalimar popularized the style and firmly associated it with Guerlain’s iconic aesthetic, the historical record shows that the concept was not entirely original to this fragrance.

Baccarat created six moulds:

• 20ml/0.676 oz - 10.5cm/4.13" 
• 30ml/1 oz - 14.3cm/5.63 
• 15.5cm/6/10"
• 16cm/6.29"
• 125ml/4.2 oz - 20cm/7.87" 
• 22.5cm/8.85"

Cristal Nancy made bottles in similar sizes and capacities to those of Baccarat.

Pochet et du Courval created thirteen moulds:

• Mould #13694 -'fan shaped bottle' (1924, cancelled)
• Mould #14161 -'fan shaped bottle' (1927)
• Mould #17147 = 20cc - 'Shalimar bottle with raised base' (1948)
• Mould #17148 = 30cc (1948, changed plan to 3100/F in 1979 to 30ml)
• Mould #18008 = 10cc (1954)
• Mould #19131 = 60cc (1962, changed plan to 3899/D in 1978 to 60ml)
• Mould #19353 = 16.5cc (blue 'plastemeri' stopper with "Guerlain Paris" in gold)
• Mould #20584 = 2.3ml sample bottle (1972)
• Mould #22078 = 1/2 oz/approx 15ml (1978)
• Mould #23187 = 1630cc (1982, changed plan to 6207/B in 1982 to 1.5 liters)
• Mould #23814 = 2ml sample bottle (1984)
• Mould #24445 = 80cc (1986)
• Mould #26066 = 7.5ml (1991)

Saint-Gobain Desjonqueres created four moulds:

• Mould #5260 (plan #70935) = 7.5ml - 1.98cm/0.74" 'fine base' (Apr 1981)
• Mould #5141 (plan #30611) = 7.5ml  - 1.98cm/0.74" 'wide base', engraved "Bottle Made in France" (Oct 1981- Apr 1995)
• Mould #5127 (plan #70566) = 10ml/0.388 oz - 8.2cm/3.23" wide base, engraved "Bottle Made in France Net Cont 1/3 fl oz" (1981 to 1984) 
• Mould #4896 (plan#70500)  = 15ml/0.5 oz - 9.3cm/3.66" wide base, engraved "Bottle Made in France" SGD "Net Cont 1/2 fl oz" (1981 to 1986). Modifications to mould #4896: size of base, engraving, capacity. 

Other manufacturers: 

• 7.5 ml/1.25 oz - 7.4 cm/2.91" (1991) 
• 10cc/10ml/0.388 oz - 8cm/3.15" (1954) 
• 16.5cc/0.558 oz - 9.3cm/3.66" (1964, changed in 1978 15ml) 
• 20cc/20ml/0.676 oz - 9.6cm/3.78" (1948) 
• 30cc/30ml/1 oz - 10cm/3.94" (1948, changed in 1979 30ml) 
• 40cc/40ml/1.35 oz - 11.4cm/4.49" 60cc/60ml/2 oz - 15cm/5.91" (1962, changed in 1978 to 60ml) 80cc/80ml/2.7 oz - 18cm/7.09" 125cc/125ml/4.2 oz - 20.8cm/8.19" 
• Largest Parfum Bottle 50 oz - 15" tall (2001) - This size also used for factice.

Factice Bottles:

Guerlain’s Shalimar factice bottles are monumental display pieces created to showcase the fragrance in boutiques without containing actual perfume. The large factice, produced by Pochet et du Courval, stands an impressive 15.5 inches tall and 11 inches wide, with a foot measuring 7 inches across, making it a commanding presence on any display. Its design faithfully mirrors the iconic Shalimar bottle, allowing customers to appreciate the shape, proportions, and aesthetic details on a grand scale.

Even more striking is the giant factice, which rises to 17.5 inches tall, with a width of 12.5 inches and a depth of 5.25 inches. The interior of this colossal bottle is colored amber to simulate the appearance of the perfume, though it contains no liquid. Both factices served as visual merchandising tools, highlighting the elegance and luxurious design of Shalimar while protecting the precious fragrance itself. These oversized bottles exemplify Guerlain’s attention to presentation and marketing, transforming the perfume bottle into an object of spectacle and admiration.

Presentation Avion:

A particularly rare and fascinating variant of Guerlain’s packaging is the Presentation Avion (airplane transportation presentation), introduced around 1960 for Air France Paris–New York flights. This presentation was specifically designed to address the challenges of air travel, minimizing the risk of leakage while maintaining an elegant display. Unlike traditional boxes in which the bottle lay flat, the Presentation Avion featured a small plinth inside the box, allowing the perfume bottle to stand upright. The lid of the box then slipped over this plinth, creating a secure and protective cover for the bottle during transport.

In a further innovation, the stopper was not pre-inserted into the bottle but placed separately inside a tiny cardboard container included within the presentation, while the perfume itself was sealed with a cork covered in a thin plastic seal. This ensured the fragrance remained intact and unspilled, reflecting Guerlain’s meticulous attention to both practicality and luxury. Later editions of the presentation returned to the more typical layout, with the bottle resting in a cut-out within the box rather than on a plinth.

These Presentation Avion bottles were produced by both Baccarat and Pochet et du Courval, and collectors can identify them by the respective logos on the base, such as Baccarat’s symbol or Pochet’s entwined HP. This rare packaging not only demonstrates Guerlain’s innovative approach to fragrance presentation and travel solutions but also underscores the house’s dedication to combining elegance, function, and collectible appeal.

• 4 oz Baccarat bottle stands about 6" tall from base of bottle to top of cork (not including stopper)
• 2 oz Baccarat bottle stands about 4.75" tall from base of bottle to top of cork (not including stopper)
• 1 oz Baccarat bottle stands 3" tall from base of bottle to top of cork (not including stopper)

Flacon Chant D'Aromes c1962

The Flacon Chant d’Arômes, introduced in 1962, is a beautifully sculpted bottle created exclusively to hold the extrait of Chant d’Arômes. Produced by the renowned glassmaker Pochet et du Courval, this bottle is known as the “Grenadier” model, distinguished by its urn-like form resting upon a pedestal. The design incorporates a ruffled neck, adding a delicate sense of movement and elegance, and is further enhanced by an olive-green velvet ribbon tied around the neck, providing a tactile and visual contrast to the colorless pressed glass. One side of the bottle bears the fragrance name, elegantly titled, while the cylindrical stopper crowns the design with understated sophistication.

Over the years, production expanded to include Saint-Gobain Desjonqueres, demonstrating Guerlain’s dedication to precision and craftsmanship. Pochet et du Courval created six original molds for the bottle, while Saint-Gobain Desjonqueres produced a single mold, maintaining fidelity to the original design. The combination of these glassmakers ensured that the urn-shaped Flacon Chant d’Arômes retained its distinctive proportions, fine detailing, and high-quality finish across different production runs.

This bottle exemplifies Guerlain’s approach to perfume presentation during the early 1960s: sculptural and refined, yet functional and immediately recognizable. The urn silhouette, ruffled neck, and velvet detailing together evoke both classical elegance and mid-century refinement, creating a vessel that elevates the perfume it contains into an objet d’art. The Flacon Chant d’Arômes remains a celebrated example of Guerlain’s commitment to marrying artistry, luxury, and the unique identity of each fragrance.

The Flacon Chant d’Arômes bottles, like many of Guerlain’s extraits of this era, were all fitted with “plastemeri” stoppers—a practical yet ingenious design feature. These consist of small plastic cups that fit snugly over the ground glass stopper plugs. The plastemeri serve multiple purposes: they prevent the stoppers from becoming “frozen” or stuck over time, a common issue with glass-on-glass closures, and they also provide a more secure, stable fit, ensuring the stopper remains properly seated. This subtle innovation reflects Guerlain’s attention to both functionality and longevity, combining elegance with a practical solution that preserves the integrity of the bottle and protects the precious fragrance inside.

Sizes:

Pochet et du Courval:

• Mould # 19111 = 58cc/58ml/1.96 oz - 15cm/5.91" (May 1962-Feb 1985)
• Mould #19135 = 30cc/30ml/1 oz - 12,5cm/4.92" (1962, changed in 1979, used until 1988)
• Mould #19146 = 120cc/120ml/4.06 oz - 19cm/7.48" (1962, changed in 1980, used until 1983)
• Mould #19223 = 15cc/15ml/0.5 oz - 10,3cm/4.06" (1963-1980). 15ml/0.5 oz updated edition in 1995 
• Mould # unknown = Factice bottle - 47cm/18.5", ground glass stopper, only a few were made, Smooth base engraved "Guerlain Made in France" or "Guerlain Paris Made in France."

Saint Gobain Desjonqueres:

• Mould #4491 (plan #22166) = 30cc/30ml/1 oz - 12,5cm/4.92" (Sept 1976)

 

Bottles:

Flacon Chamade c1969

The Flacon Chamade, introduced in 1969, is a striking and modern expression of Guerlain’s commitment to sculptural design and artistic collaboration. Created specifically to house the extrait of Chamade, the bottle was designed by the French sculptor Maurice François, who for many years contributed his talents to Guerlain, designing window displays, decorative objects, and other visual elements for the house’s boutiques. François’s approach combined elegance with a dynamic sense of form, resulting in a bottle that is both visually compelling and unmistakably Guerlain.

Manufactured initially by Pochet et du Courval, the Flacon Chamade was later produced by Saint-Gobain Desjonqueres as well, reflecting the bottle’s enduring popularity and the need for high-quality glass craftsmanship. Pochet produced ten original molds for the design, ensuring consistency while allowing for subtle variations in production. Over time, minor modifications were made to the bottle’s height, subtly adapting the design while retaining its characteristic sculptural presence.

Ten moulds by Pochet et du Courval:

• Mould # 19926 = 45ml/1.52 oz
• Mould # 19928 = 18ml/0.609 oz - 12cm/4.72" (changed to 15ml/0.5 oz in 1979)
• Mould #19930 = 34ml/1.15 oz - 15cm/5.91" (changed to 30ml/1 oz)
• Mould # 19932 = 64ml/2.16 oz - 18,4cm/7,24" (changed to 60ml/2 oz)
• 120ml/4.06 oz - 22cm/8.66"
• Mould #20038 = 9,2ml/0.311 oz - 8,7cm/3.73" (changed to 7,5cm/2.95") 
• Mould # 20125 = 4.5ml sample size USA (April 1970)
• Mould #20586 = 2.3ml sample size with solid base (June 1972)
• Mould #23914 = 2ml sample size (April 1984)
• Mould # 23185 = 1640ml - 49cm/19.29" (April 1982)

Two moulds by Saint-Gobain Desjonqueres:

• Mould #4892 = 15ml (March 1978, produced only in January 1981) Base engraved: "Guerlain - Paris - Bottle Made in France"

• Mould #5139 (plan #70617) = 7.5ml (March 1980 until June 1984) Base engraved" "Bottle - Made in France"

By 1997, only four sizes of the Flacon Chamade remained in production, demonstrating both the bottle’s longevity and its iconic status within Guerlain’s repertoire. Its strong, clean lines, thoughtful proportions, and elegant interpretation of modernist sculptural aesthetics make it a standout example of late 20th-century perfume bottle design, marrying artistry with functionality in a manner uniquely suited to Guerlain’s image and the bold character of the fragrance it contains.

 

• 7.5ml = 10cm/3/93" 
• 15ml = 12cm/4.72"
• 30ml = 15.2cm/5.98"
• 60ml = 18.5cm/7/28"

Bottles:

Flacon Carre Bas de Forme (Low Square Form) c1880-1939

The Flacon Carré Bas de Forme (Low Square Form), also known as the “square short bottle,” was produced by Pochet et du Courval from around 1880 to 1939. Designed to house Guerlain’s eaux de toilette, eaux de cologne, and Lotion Végétale, this bottle exemplifies the practical elegance of late 19th- and early 20th-century perfumery. Its squat, square silhouette offered stability and a compact presence on the dressing table, while maintaining a refined geometric form that reflected the apothecary-inspired aesthetic common to the era. The low square proportions made it distinct from the taller Flacon Carré, offering both variety and functional efficiency for Guerlain’s diverse fragrance offerings.

Four molds were produced for this bottle, some featuring the engraved motif “femme drapeaux” on the reverse, a decorative detail that added subtle ornamentation and brand identity. Over its decades of production, the Flacon Carré Bas de Forme was fitted with a variety of glass stoppers to suit both aesthetic and practical needs. These included truncated (cut-off) stoppers, flat disk (disc) stoppers, and rounded ball (boule) stoppers. Notably, the larger sizes of 16.9 oz and 1-liter bottles, introduced in 1924, commonly featured the ball stoppers, emphasizing a balanced and proportionate design.

The bottle’s long production run ended in 1939 when the molds were destroyed, marking the conclusion of an era for this practical yet elegantly restrained design. The Flacon Carré Bas de Forme remains an important part of Guerlain’s historical output, illustrating the house’s ability to create bottles that combined functional durability with aesthetic refinement. Its clean lines, variety of stoppers, and subtle decorative touches make it a compelling example of Guerlain’s attention to both form and usability, bridging the practical traditions of 19th-century perfume bottles with the stylistic developments of the early 20th century.

Sizes:

• 130cc/130ml/4.4 oz - 15cm/5.91" 
• 332cc/332ml/11.23 oz - 19,5cm/7.68" 
• 500cc/500ml/16.9 oz - 23cm/9.06" 
• 1000cc/1 liter - 28cm/11.02" 

3 different stoppers: truncated (cut off), flat disk (disc), and ball (boule), (from 1924 for 16.9 oz and 1 liter) 

Bottles:

Flacon Carre (Square) c1879 - ?

The Flacon Carré (Square Bottle) is a quintessential example of 19th-century perfumery design, produced by Pochet et du Courval to hold Guerlain’s extraits (parfums), eaux de toilette, eaux de cologne, and Lotion Végétale. First appearing around 1879, the bottle’s apothecary-inspired square shape reflected the aesthetic norms of the period, favoring practicality, stability, and an elegant simplicity. Its clean lines and sturdy form made it suitable for both storage and display, while its versatility allowed it to accommodate a wide range of fragrances. The square silhouette also offered a perfect surface for labeling, with most bottles carrying the iconic “blason” or shield-shaped labels that identified the fragrance and emphasized Guerlain’s prestige.

Eight different molds were used to produce the Flacon Carré, some engraved with motifs such as “femmes drapeaux” or simply “Guerlain à Paris.” These engravings, subtle yet distinctive, reinforced the brand identity and added decorative refinement without compromising the bottle’s functional design. The Guerlain archives list between 45 and 500 shield labels associated with these bottles, with labels referencing the historic 15, rue de la Paix address dating from 1840 to 1913, and post-1914 bottles showing the updated 68, Avenue des Champs-Élysées address. Two molds were never intended for commercial sale but were instead used for laboratory blending, demonstrations, or display purposes: a 15 cc (15 ml / 0.5 oz) bottle from 1954, standing 5.7 cm (2.24"), and a 30 cc (30 ml / 1 oz) bottle from 1930, measuring 6.9 cm (2.72").

Commercially, the Flacon Carré was produced in a wide range of sizes to accommodate different uses, from smaller personal bottles to larger display or vanity formats. These included 70 cc (70 ml / 2.37 oz) at 9.5 cm (3.74") produced in 1875 and discontinued in 1939, 80 cc (80 ml / 2.7 oz) at 10.5 cm (4.13"), 125 cc (125 ml / 4.2 oz) and 250 cc (250 ml / 8.4 oz), both from 1879 at 11.5 cm (4.53") and 14.5 cm (5.71") respectively, and the imposing 500 cc (500 ml / 16.9 oz) at 19 cm (7.48") produced in 1880. This range highlights Guerlain’s thoughtful approach to both functionality and presentation, allowing the bottles to serve multiple practical and aesthetic purposes.

The Flacon Carré stands as a testament to Guerlain’s early commitment to craftsmanship and brand identity, combining utilitarian design with subtle elegance. Its apothecary-inspired form, careful engravings, and range of sizes made it a durable and recognizable container for the house’s perfumes and lotions, reflecting both the historical practices of 19th-century French perfumery and the enduring attention to detail that would define Guerlain’s legacy.

Sizes:

• Mould # 14490 = 15cc/15ml/0.5 oz - 5,7cm/2.24" (1954, never sold, for demonstration only)
• Mould # 18215 = 30cc/30ml/1 oz - 6,9cm/2.72" (1930, never sold, for demonstration only)
• Mould # 6691 = 70cc/70ml/2.37 oz - 9,5cm/3.74" (1875, discontinued in 1939)
• Mould # unknown = 80cc/80ml/2.7 oz - 10,5cm/4.13"
• Mould # 7384 = 125cc/125ml/4.2 oz - 11,5cm/4.53" (1879)
• Mould # 7385 = 250cc/250ml/8.4 oz - 14,5cm/5.71" (1879)
• Mould # 7952 = 500cc/500ml/16.9 oz - 19cm/7.48" (1880s)
• Mould # 7953 = 1000cc/1 liter - 22.5cm/8.85" (1880s)

Bottles:

Scents:

• Acacia (c1872)
• Acola
• Adem
• Agata
• Ai Fiori di Como
• Algerian Bouquet (c1872)
• Algerian Perfume
• Ambre (c1840- reform 1890)
• Ambroisie (c1840)
• Amyris Polyolens
• Anthaemia Nobilis (c1872)
• Apres L'Ondee (1906)
• Aquarella
• Arariba Violeta
• Aroma  (c1872)
• Aroma de Heliotropio (c1883 - reform 1889)
• Arome Synthetique de Peau d'Espagne (c1883 - reform 1889)
• Arsynea
• A Travers Champs (1898)
• Au Gout du Jour
• Aubepine (c1840)
• Ayapana (c1840)
• Bamia (c1872)
• Bananier (c1872)
• Belle France (1892)
• Bergamote (c1840)
• Bergamote et Rose (1873/1877)
• Bixa
• Bois de Cedre (c1872)
• Bouquet
• Bouquet de Chambord (c1872)
• Bouquet Aguado (c1872)
• Bouquet Anglais (c1840)
• Bouquet Borghese (c1872)
• Bouquet Cratorisky (1840)
• Bouquet d'Angleterre or Royal Perfume (c1840)
• Bouquet d'Ionie
• Bouquet d'Olympia (c1872)
• Bouquet d'Orient (c1872)
• Bouquet d'Osborne (c1872)
• Bouquet de Balmoral (c1872)
• Bouquet de Caroline (c1840)
• Bouquet de Chantilly (c1840)
• Bouquet de Cintra
• Bouquet de Flore (c1872)
• Bouquet de Floride (c1840)
• Bouquet de Jenny Lind (c1872)
• Bouquet de l'Exposition (1867)
• Bouquet de l'Honorable Miss Courtenay Boyle (c1840)
• Bouquet de l'Imperatrice (1853)
• Bouquet de la Comtesse d'Edla (c1873/1877)
• Bouquet de la Comtesse de Jersey (c1840)
• Bouquet de la Cour (c1840)
• Bouquet de la Duchesse (c1840)
• Bouquet de la Duchesse de Bedford (c1840)
• Bouquet de la Duchesse de Richmond (c1840)
• Bouquet de la Duchesse de la Marquise de Londonderry (c1840)
• Bouquet de la Princess Alice (1872)
• Bouquet de la Princess Clotilde (1872)
• Bouquet de la Princess Marie (1872)
• Bouquet de la Princesse Beatrix 
• Bouquet de la Reine (c1840)
• Bouquet de la Reine de Hongrie (c1872)
• Bouquet de la Reine Victoria (c1840)
• Bouquet de la Sierra Morena (1834)
• Bouquet de Lahore (1879/1881)
• Bouquet de Lord Elphinston (c1840)
• Bouquet de Magenta (c1840)
• Bouquet de Mouchy-le-Chatel
• Bouquet de Pierrefonds (c1872)
• Bouquet de Printemps (c1840)
• Bouquet de West End (c1840)
• Bouquet des Amazones (c1872)
• Bouquet des Bois (c1840)
• Bouquet des Dames
• Bouquet des Dames Anglaises (c1840)
• Bouquet des Hesperides (1834)
• Bouquet des Highlands or Scotia Flora (c1840)
• Bouquet des Rois (c1872)
• Bouquet des Soirees (c1840)
• Bouquet des Souverains (c1872)
• Bouquet des Sultanes (c1840)
• Bouquet Devonshire (c1872)
• Bouquet Dora 
• Bouquet du Bois (c1840)
• Bouquet du Chateau
• Bouquet du Comte D'Orsay (c1840)
• Bouquet du Duc de Buccleugh (c1840)
• Bouquet du Jardin du Roi (c1830)
• Bouquet du Marquis d'Abercorn (c1840)
• Bouquet du Matin (1834)
• Bouquet du Prince Albert or Prince Albert's Bouquet (c1872)
• Bouquet du Prince Esterhazy (c1840)
• Bouquet du Prince Imperial (c1840)
• Bouquet du Regent (c1872)
• Bouquet du Roi (c1834)
• Bouquet Elisabeth (c1872)
• Bouquet Imperial do Brasil (1879/1881)
• Bouquet Indien (1834)
• Bouquet Napoleon (1853)
• Bouquet Olga (c1872)
• Bouquet Princesse Amelie de Furstemberg 
• Bouquet Seymour (1873/1876)
• Bouquet Silveria d'Albuquerque (c1872)
• Bouquet Suave (1834)
• Bridal Bouquet 
• Brise aux Guepes
• Brises de Mai
• Calaba des Antilles
• Camelia et Vetiver (c1840)
• Canaga (c1872)
• Canaga Blanc (1879/1881)
• Caprice de la Mode (c1872)
• Caprice des Dames (c1872)
• Caprifolium (c1872)
• Caryophille Alba
• Caryophille Album (c1872)
• Cassie (c1840)
• Cedrat (c1840)
• Cedre
• Chevrefeuille or Honey Suckle (c1840)
• Choice Bouquet
• Chypre (c1840)
• Chypre de Paris (1909)
• Citron (c1840)
• Citron au Zest
• Clematite (c1840)
• Country's Flavour (c1872)
• Cuir de Russie (c1872 - reform 1890)
• Cyclamen (c1872)
• Cyotor
• Cyotor Argyrea (c1872)
• Cyparis Elaidon 
• Cyperus Ruber (c1872)
• Cyprisine (1894)
• Cytise
• Cytise Sylvaria (c1872)
• Daphne (c1872)
• Dar
• Delice du Prince (c1840)
• Derby Club 
• Dix Petales de Rose (1899)
• Double Distilled Lavender water (1828)
• Double Extrait d'Oranger 
• Dypterix Utilem
• Dypterix Oliphera
• E Pluribus Unum
• Eau de Miel ou Honey Water (1828)
• Eau de Portugal de Montpellier (1828)
• Eglantine (c1840)
• En Plein Seve
• Erochloa (1883/1889)
• Esprit de Fleurs de Cedrat (1830)
• Esprit Suave de Fleurs de Lavande (c1872)
• Essence Bouquet (1828)
• Essence de Alpine Strawberry 
• Essence de Blidah (c1872)
• Ether Floral (1883/1889)
• Euxis (1883/1889)
• Excellence (1890)
• Exposition de Paris (1873/1877)
• Extrait de Blidah
• Fantasie de Deauville (c1872)
• Far West (1873/1876)
• Fashion's Perfume (c1872)
• Fior d'Aliza (c1872)
• Fleur Qui Meurt (1901)
• Fleurs Ameres 
• Fleurs d'Amandier (c1872)
• Fleurs d'Andalousie
• Fleurs d'Italie or Fiori d'Italia (c1840)
• Fleurs d'Ophelia (c1872)
• Fleurs de Chine
• Fleurs de Lavande (c1872)
• Fleurs de Mai (c1872)
• Fleurs de Marie (c1872)
• Fleurs de Pecher (c1840)
• Fleurs de Serre (1879/1881)
• Fleurs des Alpes (c1872)
• Fleurs des Bois (c1872)
• Fleurs des Champs (c1840)
• Fleurs du Guildo (1883/1889)
• Fleurs Nouvelles (187/1876)
• Fleurs Sauvages (c1840)
• Flor de Antillas (c1872)
• Floxinia
• Fragrance (c1872)
• Fragrant Essence of Rondeletia (1828)
• Frangipane (1828)
• Fruits et Fleurs de Blidah 
• Full Scent
• Garafoli (c1840)
• Gardenia (c1872 - reform 1935)
• Gavotte (1897)
• Gazaki 
• Genet d'Espagne (c1872)
• geranium (c1840)
• Geranium d'Espagne (1879/1881)
• Geranium de Serre
• Geranium et Violette
• Geranium Rosat
• Gloxinia (c1872)
• Guard's Bouquet (c1872)
• Gyrasol
• Haidee
• Heliotrope (c1872 - reform 1906)
• Heliotrope Blanc (1879/1881)
• Heliotrope Blanc 000 (1883/1889)
• Heliotrope et Tubereuse
• Hymenaea Nitida
• Ikbal Bouquet 
• Iris Blanc (1883/1889)
• J'y Songe
• Jacaranda
• Jacinthe (c1840 - reform 1922)
• Jadis (1883/1889)
• Jasmin de Siam (1879/1881)
• Jeannine (1925)
• Jicky (1889)
• Jockey Club (c1872)
• Jonquille (c1840)
• Kew Garden Bouquet (c1872)
• Koleah (c1872)
• Lathyrus Odorans (c1872)
• Laurus Camphora (c1872)
• Lavande (c1840)
• Lavande aux Mille Fleurs (1828)
• Le Bon Ton
• Le Bon Vieux Temps (1902)
• Lilas (c1840)
• Lilas et Jacinthe 
• Lolium Agriphillium (c1872)
• Lys de la Vallee (c1872)
• Lys et Rose
• Magnolia (c1840)
• Mandarines
• Marechale (c1840)
• Marechale Duchesse (1873/1876)
• Marie Christine (1879/1881)
• Meadow Queen
• Melilot (c1840)
• Miel Ambre (c1840)
• Miel d'Angleterre or Honey Water (c1840)
• Mignardise (c1840)
• Millaleuca 
• Mille et Deux Fleurs (1883/1900)
• Mille Fleurs (c1840)
• Mimosa Esterhazy
• Mimosa Fragrans (c1872)
• Moskwskaia (1883/1889)
• Moss Roses (c1872)
• Mousseline (c1840)
• Musc ou Musk (c1840)
• Muskisette
• Myrthe Fleuri (c1840)
• Nec Pluribus Impar 
• New Bouquet (c1872)
• New Mown Hay (c1872)
• Nice Dear (1883/1889)
• Nuee Blonde (1883/1889)
• Ocean Spray Bouquet 
• Ocymum Dulce
• Oeillet (c1840)
• Oeillet 000 (1879/1881)
• Oeillet et Jasmin
• Olei
• Olium Acriphillum
• Opera Bouquet
• Opobalsam (c1872)
• Opobalsam de la Mecque (1873/1876)
• Opoponax
• Orange de Chine (c1872)
• Ordem E Progresso
• Ouridis (1890/1900)
• Paiba
• Pao Rosa (1873/1877)
• Parfum Albanais
• Parfum Bulgare
• Parfum de Castille
• Parfum de France (c1840)
• Parfum de la Maison de Lorraine
• Parfum de reggio
• Parfum de Roumelie
• Parfum de Habsbourg
• Parfum des Mauresques (c1872)
• Parfum des Princes
• Parfum des Soirees Italiennes
• Parfum Hongrois (c1872)
• Parfum Imperial (1853)
• Parfum Imperial Russe (1879/1881)
• Parfum Royal
• Parfum Slave
• Paris Caprice (c1872 - reform 1914)
• Paris Gem (1950)
• Paris Nouveau (1883/1889)
• Parnasse
• Patchouly (1928)
• Pepita
• Perfume de Manilla
• Persian Bouquet (c1872)
• Phlomis Asplenia (c1872)
• Plagia (c1904)
• Pois de Senteur or Sweet Pea (1840 - reform 1917)
• Polyante Suavolens (c1872)
• Pompei
• Portugal (1828)
• Pour Somnoler
• Pre d'Automne (1883/1889)
• Pre Fleuri (c1872)
• Pres des Haies
• Primaute (1883/1889)
• Primavera de Espana (1883/1889)
• Prince de Galles or Prince of Wales Bouquet (1842)
• Princesse Alexandra (c1872)
• Princess of Hesse's Bouquet
• Profumo di Frangipani (c1872)
• Pujio
• Pure Plain
• Quand Vient L'Ete (1910)
• Regina Marguerita 
• Republica do Brasil 
• Reseda (c1840)
• Reve du Jour (1883/1889)
• Rex
• Rita (1883/1889)
• Rococo a la Parisienne (1887)
• Rondeletia (c1872)
• Rose 91828)
• Rose a 3 Feuilles
• Rose Blanche or White Rose (c1872)
• Rose Conquete 
• Rose des Alpes
• Rose du Roi (c1872)
• Rose et Oeillet (1879/1881)
• Rose et Violette (c1872)
• Rose Mousseuse (c1872)
• Rose The (c1872)
• Royal Extract of Flowers (1828)
• Royal Perfume (c1840)
• Rue de la Paix (1908)
• Rup
• Santal (c1872)
• Senorita (1883/1889)
• Senteur de Soir (c1872)
• Senteurs de la Vallee 
• Shore's Caprice (c1872 - reform 1893)
• Sillage (1907)
• Skine (1885)
• Sornette
• Spring Flowers (c1872)
• Stalizia Grandiflora (1883/1889)
• Stephanotis (1879/1881)
• Suaveolens
• Super Dulci (1883/1889)
• Sweet Dear
• Sweet Flowers
• Syringa du Japon (1879/1881)
• Tacoma Gracilis (1883/1889)
• Take It (1883/1900)
• The Best
• Thymelia (c1872)
• Tillia Microphylla (c1872)
• Trevol (1883/1889)Tsao Ko (1898)
• Tsatli (1890)
• Tubereuse (c1840)
• Tume or Tum
• Un Bal Chez Flore
• Un Brin de Reseda
• United States Perfume (1879/1881)
• Unter der Linden
• Upper Ten
• Vakjoli
• Vanille (c1840)
• Vere Novo (1883/1889)
• Verveine (c1840)
• Vetiver (c1840)
• Violette a Deux Sous (1890/1900 - reform 1936)
• Violette Blanche
• Violette d'Alger (1879/1881)
• Violette de Nice
• Violette de Parme (1890/1900)
• Violette de Serre
• Violette des Alpes
• violette des Bois (c1840)
• Violette Meurtrie
• Violette Qui Embaume or Qui Embaume (1904)
• Violette Russe
• Voila Pourquoi J'aimais Rosine (1900)
• Volcameria (c1872)
• Wild Flowers of America 
• Ylang Ylang (1872)
• Ypana 
• Young Princess (1890/1900)
• Yssim

Flacon Etruscan c1900

The Flacon Étruscan is a striking example of Guerlain’s artistry in bottle design, created in 1900 to house the famed Lotion Végétale. Its form draws inspiration from classical urns, with an elegant silhouette that immediately conveys refinement and permanence. The body of the bottle is molded to suggest elongated daisy petals cascading over the shoulders, creating a gentle rhythm of vertical lines that soften the geometric solidity of the urn shape. The circular base is notched, adding a subtle decorative touch that balances the sculptural quality of the upper portion. Crafted by the renowned glassmaker Pochet et du Courval, the design was registered internationally in the same year, cementing its status as a distinctive creation of both Guerlain and the Parisian glassmaking tradition.

The glass inner stopper of the Flacon Étruscan is equally notable, covered with a gilded metal cap cast with foliate motifs and engraved with the signature “Guerlain-Paris.” The metalwork reinforces the sense of luxury and craftsmanship, while the gilding adds a warm, luminous contrast to the clear or lightly tinted glass of the body. Two versions of the bottle were produced: a luxury edition, with gilded enameling applied to the petals on the shoulders and the notched base, and a classic edition, where the gilding was reserved solely for the stopper cap. These variations allowed Guerlain to appeal both to clients seeking the height of opulence and to those desiring a more restrained elegance.

The Flacon Étruscan was made in three sizes: an 80 cc (mold #10769), a 90 cc (mold #10770), and a 250 cc (mold #11292) version, the latter standing 15 cm tall. This range ensured versatility for different applications, whether for personal use or as a prominent display on a vanity. 

The Flacon Étruscan exemplifies Guerlain’s ability to combine functional design with artistic flourish, creating a vessel that is both visually captivating and practical. Its sculptural quality, refined gilding, and floral motif make it a hallmark of early 20th-century perfume presentation, a testament to the house’s enduring dedication to elegance, craftsmanship, and innovation in the realm of luxury perfumery.

Sizes:

• Mould #10769 = 80cc
• Mould #10770 = 90cc
• Mould #11292 = 250cc - 15cm tall

Scents:

• À La Héliotrope
• À La Violette 
• Antique
• Aux Fleurs Ambrées 
• Chypre
• Jicky
• L’Éther Aromatique
• Ultra Fresca

Bottles: