Fragrances Q - Z

Q:

Quand Vient La Pluie (2007) – translated as "When the Rain Begins" – was created by Thierry Wasser and Sylvaine Delacourte as a limited-edition homage to Guerlain’s earlier masterpiece, Après L’Ondée (After the Rainstorm). The eau de parfum was housed in a raindrop-shaped bottle by Serge Mansau, resting on a glass base etched with the delicate veins of a leaf, and contained 7.5ml. It was accompanied by a 50ml aluminum estagnon refill canister with a dropper, priced at €280. For collectors, a luxury edition was released, presented in a piano-lacquered case lined with black velvet. Inside rested a 9.5ml crystal-embellished “drop” flacon of parfum extrait, a matching etched glass base, a 490ml refill bottle, and a funnel, limited to only 140 pieces at €1800 each. Classified as a floral amber musk fragrance for women, it sought to capture the poetic freshness and intimacy of rain-drenched blossoms.

• Top notes: bergamot, rosemary, neroli
• Middle notes: orange blossom, heliotrope, violet, jasmine
• Base notes: cinnamon, orris, amber, gourmand praline notes, patchouli, musk, vanilla

Quand Vient L'Été (1910) – translated as "When Summer Comes" – was created by Jacques Guerlain and remained available until 1936 before being discontinued. It was presented in several exquisite flacons, including the Fleuri flacon (parfum) and the Quadrilobe flacon (parfum) crafted by Baccarat and Pochet et du Courval. Another notable presentation was the Persane/Mauresque flacon, designed by Pochet et du Courval in 1910, inspired by a 17th-century Persian or Moorish perfume bottle from the Guerlain family collection. This flacon was also used for other Guerlain creations and could be tailored to order, allowing clients to select the bottle shape and the color of its floral decoration. Classified as a floral tobacco fragrance for women, it reflected the refined artistry and customization that defined Guerlain’s early 20th-century offerings.

• Top notes: neroli, honey, jasmine, mint, lemon, bergamot
• Middle notes: jasmine, rose, heliotrope, ylang ylang, clove, orchid, leather, hay
• Base notes: orris, civet and vanilla

Quand Vient L'Été (1998) – translated as "When Summer Comes" – was released as a limited edition of only 2,500 bottles. Each eau de toilette was presented in the elegant Louis XVI flacon, holding 75ml. As its name suggests, the fragrance was designed to capture the joy of summer, evoking the warmth of sunshine and carefree days. It was discontinued shortly after but later relaunched in 2005, before being withdrawn again.

• Top notes: neroli, ylang ylang, honey, lily, carnation. 
• Middle notes: heliotrope, jasmine, hyacinth, rose, wintergreen mint, orchid, clover, cocoa. 
• Base notes: vanilla, rosewood, balsams, amber, orris, musk.

R:

Recomposition de El Djezir (1887) – translated as The Island (an early name for Algeria) – was created by Aimé Guerlain as a reworking of El Djezir (1883/1889) by Pierre-François Pascal Guerlain. This fragrance is thought to be a reinterpretation of Algerian Bouquet (1872), continuing Guerlain’s exploration of Orientalist themes. It embodied the 19th-century European fascination with North Africa, drawing inspiration from its landscapes and botanicals. With its exotic, floral-oriental character, the perfume sought to capture the warmth, richness, and aromatic allure of Algeria.

Regina Margherita (1893) – translated as Queen Margherita – was created for Margherita of Savoy, Queen of Italy and wife of King Umberto I. The queen was very beloved by her people, who affectionately called her the "Pearl of Savoy." The perfume was reportedly inspired by her personal taste, as she was known to favor rare and exquisite fragrances. Among them, the Parma violet held a special place in her preferences, suggesting that this Guerlain creation was likely based on that beloved floral note, reflecting both her refinement and regal elegance.

 

Reine d’Italie (1894) – translated as "Queen of Italy" – was undoubtedly created as a tribute to Margherita of Savoy, the Queen of Italy. While specific details about its composition are unknown, the fragrance would have been crafted in the refined style typical of Guerlain, honoring the elegance and stature of the Italian queen. It reflects the 19th-century tradition of dedicating perfumes to royalty, combining sophistication with a sense of ceremonial grandeur.

Renascimento Brasileiro (1890) – translated as "Brazilian Renaissance" – was a 19th-century fragrance whose specific creation details and perfumers are unknown. The name suggests it may have been inspired by Brazilian botanicals or cultural motifs, celebrating the vibrancy and richness of Brazil. It would likely have been presented in a typical 19th-century flacon, such as a Carre flacon (square bottle) for parfum, in keeping with Guerlain’s custom for noble and exotic-themed perfumes. It was still being sold in 1892.

Republica do Brasil (19th century) – translated as "Republic of Brazil" – was a 19th-century fragrance whose specific creation details and perfumers are unknown. The perfume likely drew inspiration from Brazilian culture, landscapes, or native botanicals, reflecting the exotic allure associated with South America during that era. It would have been presented in a typical 19th-century flacon, most likely a Carre flacon (square bottle) for parfum, consistent with Guerlain’s style for perfumes with noble or international themes.

Reseda (1836) – also spelled "Rezeda", or known in English as "Mignonette" – was a very popular 19th-century fragrance created by various perfumers, including Guerlain, in keeping with the common olfactory structures of the period. The perfume was presented in the Carre flacon (parfum) and became a well-loved scent of its time. Though the exact date of discontinuation is unknown, it remained part of the 19th-century fragrance repertoire. It is classified as a floral oriental fragrance, evoking the soft, sweet, and slightly spicy character of the mignonette flower.

• Top notes: bergamot, neroli, orange, bitter almond, cassie, geranium, reseda geraniol
• Middle notes: tuberose, jasmine, violet, rose, orange blossom, orris resin, clove, nettle
• Base notes: sandalwood, tonka bean, vanilla, benzoin, styrax, musk, tolu balsam, Peru balsam, costus, ambergris, ambrette, labdanum, storax

 

Rêve de Lune (2012) – translated as "Dream of the Moon" – is a reissue of Jean-Paul Guerlain's Metallica (2000), later renamed Metalys. Reworked by Thierry Wasser into a parfum concentration, this limited edition release was housed in a luxurious Baccarat bottle shaped like a bee, underscoring Guerlain’s heritage of refined presentation. Classified as a spicy oriental fragrance for women, Rêve de Lune combines the richness of its predecessor with the intensity of the parfum format, offering a deep, sensual reinterpretation of the original composition.

• Top notes: aldehydes, bergamot, lemon,bitter orange
• Middle notes: jasmine, ylang ylang, pepper, orange blossom, carnation
• Base notes: vanilla, tonka bean, balsam, resins

Rêve du Jour (1883/1889, trademarked in 1891) – translated as "Dream of the Day" or "Daydream" – was one of Guerlain’s late 19th-century creations. Emerging in the same era as other dream-inspired perfumes, it reflected the poetic and romantic naming trends of the time. Though little is documented about its composition, the title suggests a luminous and uplifting character, contrasting with darker or more exotic offerings of the period. Today, Rêve du Jour survives mainly in historical records, marking Guerlain’s expansion of its imaginative fragrance portfolio during the 1880s and 1890s. It was housed in the Carre flacon (parfum).

Rex (1890) – translated as "King" – was based on an earlier fragrance known as Bouquet du Roi (The King’s Bouquet), a popular 19th-century composition created by various perfumers, including Guerlain. Following the common olfactory structure of the period, it represented a regal and traditional style of perfumery, evoking courtly refinement and the prestige associated with royal patronage. It is classified as a floral oriental fragrance.

• Top notes: bergamot, neroli, rose
• Middle notes: almond, rose attar, clove, orris
• Base notes: Tonkin musk, civet, coumarin, benzoin, vanilla

Rita (1883) – Most likely created as a tribute to Rita la Cantaora (a famous Spanish flamenco singer and dancer of the late 19th century). It remained available at least until 1894 and was presented in the Carre flacon. Discontinued at an unknown date, Rita reflects the fashion of Guerlain’s late 19th-century creations that often drew inspiration from celebrated cultural figures. The name Rita is a shortened form of Margarita. 

Rococo (1889) – Possibly an abbreviated form of the Guerlain perfume Rococo à la Parisienne (“Rococo in the Parisian Style”), this fragrance was created during the height of the Belle Époque when ornate elegance and playful refinement were in vogue. It was still being sold in 1903 before disappearing from the catalog, with its discontinuation date unknown. The name evokes the lavish, decorative charm of the Rococo era, suggesting a perfume both refined and fanciful.

Rococo A la Parisienne (1853) – Also known as Rococo des Parisiennes (“Rococo of the Parisian Women”), this fragrance by Aimé Guerlain was a mildly popular 19th-century scent. Its name most likely references rocailles—the shell and rock ornamentation that inspired the elaborate curves and decorative style of the Rococo movement, closely tied to Parisian elegance. Housed in the Carre flacon, the perfume remained in circulation through at least 1887 before quietly disappearing, with its discontinuation date unknown.

Rodomel (1892) -  also known as Miel Rosat or Miel Rosada, the juice of red roses mixed with honey.

Rondeletia (c.1872) – Named after the tropical flowering plant Rondeletia, this was a popular 19th-century fragrance created by various perfumers, including Guerlain, in keeping with the common perfume structures of the era. Housed in the Carre flacon for parfum, it blended the richness of an oriental fougère with soft floral nuances, reflecting the romantic and exotic tastes of the period. The fragrance was eventually discontinued, though the exact date remains unknown.

• Top notes: Mitcham lavender, bergamot, orange blossom, linalool 
• Middle notes: Provencal lavender, jasmine, rose otto, rose geranium 
• Base notes: sandalwood, vanilla, civet, orris, musk, ambergris, cloves, storax

  

Rose (1828) – As its name suggests, Rose celebrated the timeless queen of flowers and was among the most popular 19th-century fragrances, created by various perfumers including Guerlain. Following the common perfume structures of the era, it highlighted the romantic, natural elegance of the rose, a favorite note of the period. Presented in the Carre flacon for parfum, Rose remained in circulation for decades, still being sold in 1853 before eventually being discontinued at an unknown date.

• Top notes: rose tincture 
• Middle notes: rose otto, rosewood, vetiver, patchouli
• Base notes: civet, ambergris, storax, sandalwood

 

Rose Amira (2024) - Created by Delphine Jelk as part of the Absolus Allegoria line. It is classified as a floral oriental fragrance for women and men. Rose Amira is a nocturnal tribute to the queen of flowers, an essential scent and perfumery icon. In this journey to the heart of a Persian garden, rose reveals its most sensual fragrance. Shot through with the sacred swirls of frankincense and the warmth of patchouli, the majestic flower unfolds with a blend of strength and softness in a halo of musks.

• Top notes: rose
• Middle notes: patchouli
• Base notes: frankincense, musk

 

Rosée (19th century) – Translated as "Dew", Rosée was a 19th-century fragrance generally known as "Floral Dew," created by various perfumers including Guerlain, following the popular perfume structures of the period. The scent  evoked the freshness and delicate beauty of morning dew on flowers, embodying light, airy floral notes. It was presented in the Carre flacon (square bottle) for parfum. The date of discontinuation is unknown.

• Top notes: bergamot, orange blossom, jonquil, reseda
• Middle notes: rose, jasmine, violet, orris, ionone, tuberose
• Base notes: ambergris 

Rose à Trois Feuilles (19th century) – Translated as "Three-Leafed Rose", this 19th-century fragrance was created by various perfumers including Guerlain, following the typical perfume structures of the era. The name suggests a focus on the elegance and freshness of rose foliage, likely emphasizing a green, floral character alongside the floral heart. It was presented in the Carre flacon (square bottle) for parfum. The date of discontinuation is unknown.

Rose Barbare (2005) - Created by Francis Kurkdjian. For the event of opening of renovated flagship store of Guerlain, Paris,an exclusive line of three perfumes were launched – L 'Art et la Matière (The Art and (raw) Material, a pun after the French expression L'Art et la Manière – the art and manners) Presented in a oblong slender block of glass, decorated on one end with a golden metal strip with the perfume's name imprinted on it. It is classified as a floral chypre fragrance with a dominant rose note.

• Top notes: aldehydes, rose essence
• Middle notes: honey, rose absolute, fenugreek
• Base notes: peach honey, patchouli, notes of undergrowth

Rose Blanche (c1872) – Translated as "White Rose", this very popular 19th-century fragrance was created by various perfumers, including Guerlain, following the common perfume structures of the period. It was housed in the Carre flacon (square bottle) for parfum. Discontinued at an unknown date, it is classified as a floral chypre fragrance for women, celebrated for its elegant and refined interpretation of the white rose.

• Top notes: bergamot, linalool
• Middle notes: geranium, rose oil, otto of rose
• Base notes: patchouli, benzoin 

Rose Chérie (2021) – Translated as "Beloved Rose", this contemporary fragrance is part of the L’Art et la Matière line. Created by Delphine Jelk, it is classified as a floral fragrance for women, celebrating the elegance and charm of the rose in a modern, refined interpretation.

• Top notes: Grasse rose water, heliotrope
• Middle notes: Bulgarian damascena rose essence, Bulgarian damascena rose absolute, Grasse centifolia rose, Parma violet
• Base notes: tonka bean, musk

Rose Citronelle (c1840) – Translated as "Citronella Rose", this popular 19th-century fragrance was created by various perfumers including Guerlain, following the common structures of the period. Housed in the Carre flacon (square bottle) for parfum, it is classified as a citrus floral fragrance for women. Though discontinued at an unknown date, it was still being sold in 1853, exemplifying the period’s appreciation for bright, fresh, and elegant floral-citrus compositions.

• Top notes: sweet orange, lemon, citronella
• Middle notes: verbena, rose geranium, rose
• Base notes: rose, civet 

Rose Conquete (1902) – Translated as "Conquering Rose", this fragrance was created in the early 20th century, reflecting the period’s fascination with bold, expressive floral scents. Details on its specific perfumer or composition are unknown, but it was presented in the Carre flacon (square bottle) for parfum. As the name suggests, the fragrance likely emphasized a dominant, assertive rose note, embodying elegance, confidence, and the refined luxury associated with early Guerlain creations.

Rose de Damas (c1840) – Translated as "Damask Rose", this popular 19th-century fragrance was created by various perfumers including Guerlain, following the common compositional style of the period. Based on the rich, opulent Damask rose, it would have highlighted the flower’s deep, honeyed, and slightly spicy character. Housed in the Carre flacon (square bottle) for parfum, it is classified as a floral chypre fragrance for women, exemplifying the elegance and refinement that defined early Guerlain floral creations.

• Top notes: orange blossom, rose geranium, rose
• Middle notes:  rose, tuberose, orris 
• Base notes: tonka bean, sandalwood, musk, civet, rosewood, vanilla

Rose des Alpes (19th century) – Translated as "Alpine Rose", this fragrance was a mildly popular creation of the 19th century, produced by various perfumers including Guerlain, and composed in line with the common structures of the period. Evoking the fresh, delicate beauty of mountain blossoms, it combined floral brightness with subtle woody and musky undertones. It was housed in the Carré flacon (parfum), the standard presentation of the time. It is classified as a floral woody musk fragrance for women.

• Top notes: petitgrain
• Middle notes: rose geranium, rose
• Base notes: vetiver, ambergris, musk

Rose du Roi (c1872) – Translated as "Rose of the King", this fragrance took its name from the French perpetual damask rose known for its rich, opulent bloom and intoxicating scent. Created in the 19th century following the traditional structures of the era, it was presented in the Carré flacon (parfum), a hallmark bottle style of Guerlain’s early perfumes. It is classified as a floral chypre fragrance for women.

• Top notes: orange blossom, rose geranium, rose
• Middle notes:  rose, tuberose, orris 
• Base notes: tonka bean, sandalwood, musk, civet, rosewood, vanilla

Rose et Oeillet (1879/1881) – Translated as "Rose and Carnation", this fragrance combined two of the most beloved floral notes of the 19th century, reflecting the era’s penchant for romantic and richly spiced bouquets. Created in the style common to many perfumers of the time, following a common structure., including Guerlain, it was presented in the classic Carré flacon (parfum). Still being sold in 1888, it was later discontinued (date unknown). It is classified as a floral oriental fragrance for women.

• Top notes: neroli, geranium, rose, carnation, isoeugenol 
• Middle notes: dianthine, clove, eugenol, geraniol, rose, jasmine, ylang ylang 
• Base notes: heliotropin, rose, musk, civet, benzoin

Rose et Violette (c1872) – Translated as "Rose and Violet", this perfume united two of the most fashionable floral notes of the 19th century, a pairing often favored for its balance of sweetness and elegance. Created in the style of the period by various perfumers including Guerlain, it was presented in the classic Carré flacon (parfum). Now discontinued (date unknown), it is classified as a floral fragrance for women, marked by powdery floral and animalic accents, with a dominant and expressive note of rose.

• Top notes: cassie, geranium, rose
• Middle notes: geraniol, rose, jasmine, violet, orris, ionone
• Base notes: rose, musk, civet

Rose Mousseuse (c1872) – Translated as "Moss Rose", this was a very popular 19th-century fragrance created by various perfumers, including Guerlain, in keeping with the common olfactory structures of the time. Reflecting the romantic symbolism of the moss rose, admired in Victorian gardens for its lush, velvety petals, the perfume carried both refinement and charm. Now discontinued, it is classified as a floral chypre fragrance for women.

• Top notes: neroli, orange, orange blossom, rose infusion
• Middle notes: rose oil, otto of rose, tuberose, jasmine, orris
• Base notes: ambergris, civet, musk, rosewood, tolu balsam, coumarin, oakmoss, benzoin 

Rose Nacrée du Désert (2012) – Translated as "Mother-of-Pearl Rose of the Desert", this fragrance was created by Thierry Wasser as part of the exclusive Les Déserts d’Orient collection, designed specifically for the Middle Eastern market. Built around the lush beauty of the Persian rose, long celebrated as the legendary blossom of the East, it evokes richness, depth, and sensual elegance. Released as a 75ml Eau de Parfum, it is classified as a woody floral fragrance for both men and women.

• Top notes: saffron note, Persian rose, patchouli
• Middle notes: cardamom, curcuma, cedar wood, oud accord
• Base notes: myrrh, benzoin

Rose Reseda (19th century) – Translated as "Rose Mignonette", this fragrance combined two of the most beloved 19th-century perfume themes, created by various perfumers including Guerlain, following the common structures of the era. It was presented in the Carré flacon (parfum). Now discontinued (date unknown), it is classified as a floral fragrance for women, more specifically a green floral with animalic undertones, dominated by the pairing of velvety rose and the unusual, slightly herbal sweetness of réséda (mignonette).

• Top notes: cassie, reseda, rose 
• Middle notes: geranium, rose, violet, tuberose 
• Base notes: rose, sandalwood, musk, civet

Rose Thé (c1872) – Translated as "Tea Rose", this was a popular 19th-century fragrance created by various perfumers, including Guerlain, following the common structures of the period. It was presented in the Carré flacon (parfum) and has since been discontinued (date unknown). It is classified as a floral chypre fragrance for women, evoking the delicate, fresh, and slightly spicy character of the tea rose that was much admired in Victorian perfumery.

• Top notes: Portuguese neroli petale, orange blossom, rose
• Middle notes: rose, rose geranium, rose geraniol, orris 
• Base notes: rosewood, musk, ambergris, civet, sandalwood, styrax

 

Rosita (1891) – Possibly named after Rosita, the Giantess, a German-born woman who gained international fame in the late 19th century as the world’s tallest woman, standing at 7’1”. Guerlain, known for crafting bespoke perfumes for royalty, nobility, and notable figures, may have drawn inspiration from her celebrity status, as her likeness was widely published in 1891. This fragrance reflects Guerlain’s tradition of honoring remarkable individuals through perfume. The scent itself was most likely rose-based.

Royal Extract (2014) – Created by Thierry Wasser, this fragrance is the latest iteration of a perfume originally launched as Guet Apens in 1999, later renamed No. 68 in 2002, Attrape Cœur in 2005, and Vol de Nuit Evasion in 2007. Released as a limited edition exclusively for the renowned Harrods department store in England, it is housed in the signature white bee bottle, adorned with a moss green label and finished with an elegant bow of moss green grosgrain ribbon at the neck. Royal Extract is classified as an ambery floral fragrance for women, embodying sophistication and refined elegance.

• Top notes: peach, raspberry, bergamot
• Middle notes: violet, iris, rose, jasmine, and tuberose, cinnamon
• Base notes: amber, vanilla, orris, tonka bean, sandalwood, oakmoss, leather, patchouli

Royal Extract II (2020) – Created by Thierry Wasser, this fragrance is a modern reinterpretation in the Royal Extract lineage. Classified as a green floral fragrance, it is designed for both men and women, offering a fresh, verdant character balanced with delicate floral nuances. The scent reflects contemporary tastes while maintaining the elegance and refinement associated with the Royal Extract series.

• Top notes: petitgrain and pink pepper
• Middle notes: orange blossom, cedar, hyacinth
• Base notes: moss, vetiver, galbanum

Royal Extract of Flowers (1828) – A popular 19th-century fragrance, Royal Extract of Flowers is classified as a soft floral oriental scent for women. Celebrated for its elegant and delicate composition, it embodies the refined olfactory style of the era, blending gentle floral notes with subtle oriental warmth. Its enduring appeal made it a favored choice among women seeking a sophisticated and graceful perfume.

• Top notes: bergamot, lemon, lavender 
• Middle notes: pimento, clove, jasmine, Parma violet, orris 
• Base notes: sandalwood, musk, ambergris

Royal Perfume (c1840) – A popular 19th-century fragrance, Royal Perfume was created by various perfumers, including Guerlain, following the common compositional style of the period. Housed in the elegant Carre flacon (square flacon) for parfum, it is classified as a floral–oriental fragrance with subtle chypre nuances. Its refined blend of florals and oriental accords exemplifies the sophistication and artistry of perfume design in the mid-19th century.

• Top notes: bergamot, lemon, verbena, cassie, rose
• Middle notes: rose, jasmine, violet, clove
• Base notes: musk, ambergris, vanilla, vetiver

Rubialine (1892) - "From another source in Paris, we are informed that washes with La Rubialine by Guerlain refresh the complexion, especially when used daily. La Rubialine is not a makeup that has an immediate effect, but an excellent toiletry product that, with regular use, preserves and beautifies the complexion."

Rue de la Paix (1908) – Named after the original address of the Guerlain boutique, this perfume was created by Jacques Guerlain. It was presented in a 3 oz Quadrilobe bottle (parfum) by Cristalleries de Baccarat and also made available in several other flacons, including the Goutte flacon (eau de toilette), Amphore flacon (parfum), Flacon Bourne (parfum), Empire flacon (parfum), and Petite Beurre flacon (parfum). Discontinued at an unknown date, it was still available for sale in 1955. Rue de la Paix is classified as a soft floral amber fragrance for women.

• Top notes: honey, lavender, orange blossom, verbena and bergamot 
• Middle notes: jasmine, peach, lilac, carnation, violet, rose, ylang ylang, spices 
• Base notes: leather, sandalwood, ambrette, ambergris, musk, violet leaves and orris

ChatGPT said:

Rup (1902) –  It was housed in the Carre flacon (square flacon) for parfum. Specific details about its composition and date of discontinuation are unknown. The name "Rup" remains untranslated, as it appears to be a proper name or coined term.

Russian Violette (19th century) – A popular 19th-century fragrance created by various perfumers, including Guerlain, following the common perfume structures of the period. It was highly regarded in its time, though specific details about its composition are not recorded. The perfume has since been discontinued (date unknown). The name evokes the delicate and refined aroma of violets, with a nod to Russian elegance and style.

• Top notes: orange, violet
• Middle notes: violet, ionone, rose, jasmine, ylang ylang
• Base notes: orris

S:

Samsara (1989) – Created by Jean-Paul Guerlain and Gérard Anthony, Samsara—Sanskrit for “wheel of life”—was inspired by a woman named Décia de Pauw, whose love of sandalwood and jasmine shaped the fragrance. Originally launched as both Parfum and Eau de Parfum in 1989, with an Eau de Toilette following in 1991, it was presented in the iconic Samsara bottle. The EdP and EdT atomizers, initially clear glass, were later replaced with red ones. The fragrance is classified as a woody oriental for women, an amber-scented oriental dominated by lush sandalwood and jasmine. Its heart blends iris, rose, violet, and narcissus, while tonka bean, ylang-ylang, and vanilla round out the entirely natural composition. The fragrance has been reformulated in recent years to comply with endangered species regulations regarding sandalwood.

• Top notes: bergamot, lemon, ylang-ylang, peach and green notes
• Middle notes: jasmine, iris, narcissus, violet and rose
• Base notes: Mysore sandalwood, vanilla, tonka bean, ambergris, and musk

Samsara Eau de Parfum (2021) a reformulation. It is classified as a floral woody musk fragrance for women.

• Top notes: citruses
• Middle notes: ylang-ylang and jasmine
• Base notes: sandalwood, iris, vanilla and tonka bean

Samsara Eau de Toilette (2021) It is classified as a floral amber fragrance for women.

• Top notes: citruses
• Middle notes: ylang-ylang and jasmine
• Base notes: sandalwood, iris, vanilla and tonka bean

Samsara Shine (2001) – Created by Jean-Paul Guerlain, Samsara Shine was conceived as a brighter, lighter reinterpretation of the original Samsara. The fragrance was presented in a colorless spray flacon, echoing the design of Samsara’s EdT and EdP bottles as well as Un Air de Samsara. Classified as a floral green eau de toilette for women, it offered a fresher, more luminous take on the original’s rich woody oriental character. Discontinued, likely around 2010 or earlier, Samsara Shine remains a delicate and airy chapter in the Samsara lineage.

• Top notes: fig leaf, green notes and citruses 
• Middle notes: jasmine, ylang-ylang and red currant 
• Base notes: sandalwood, tonka bean, amber and vanilla

Santal (c1872) – Also known as "Sandalwood", Santal was a popular 19th-century fragrance created by various perfumers including Guerlain, following the common perfume structures of the period. It was housed in the Carre flacon (square flacon) for parfum and continued to be sold at least until 1903. Classified as a floral chypre fragrance for men and women, Santal highlighted the warm, creamy character of sandalwood balanced with floral nuances, reflecting the elegance and refinement typical of Guerlain’s creations during the late 19th century.

• Top notes: bergamot, orange, neroli bigarade, lemon balm, cassie, phenylethyl alcohol
• MIddle notes: geranium, Bulgarian rose, tuberose, jasmine, orris, violet, Iraldeine
• Base notes: patchouli, Mysore sandalwood, coumarin, cedar, civet, musk, musk ketone, vanillin, benzoin, tolu balsam, Peru balsam, styrax

Santal Pao Rosa (2021) – Part of the L’Art et la Matière line, Santal Pao Rosa – translated as "Sandalwood Pao Rosa" – was created by Delphine Jelk. It is classified as a green woody fragrance suitable for both women and men. This contemporary creation blends natural elegance with modern sensibilities, emphasizing the aromatic depth of sandalwood complemented by green, earthy notes, reflecting the refined artistry characteristic of the L’Art et la Matière collection.

• Top notes: cardamom, fig
• Middle notes: myrrh, rose
• Base notes: sandalwood, oud

Santal Royal (2014) – Translated as "Royal Sandalwood", Santal Royal was created by Thierry Wasser as part of the Les Absolus d’Orient Collection. Released in a 155 ml Eau de Parfum, it was exclusively available at Harrod’s, retailing at £125, and was crafted to celebrate the opening of the newly finished Salon de Parfums at Harrod’s department store. The fragrance is housed in a modified bee bottle, colored black with a gilded label and fitted with an atomizer, exuding luxury and refinement. Classified as a leathery oriental fragrance, it combines the richness of sandalwood with warm, opulent notes, and has since been incorporated into the broader Les Absolus d’Orient line.

• Top notes: neroli, cinnamon 
• Middle notes: rose, sandalwood 
• Base notes: leather, agarwood (oud), amber and musk

Santal Royal (2024) - Created by Thierry Wasser as part of the Absolus Allegoria Collection. It is classified as a woody oriental fragrance for women and men. Santal Royal by Guerlain is an enchanting fragrance that features a blend of sandalwood, dark leather notes, oud accord, and floral notes of jasmine and rose.

• Top notes: rose
• Middle notes: jasmine, sandalwood
• Base notes: leather, oud

Santal Royal Hair Mist (2024) - Created by Thierry Wasser as part of the Absolus Allegoria Collection. It is classified as a woody oriental fragrance for women and men. Santal Royal Hair Mist is an elegant and ethereal fragrance that adds a delicate scent to the hair, creating an enchanting trail. This woody ambery fragrance showcases sandalwood with dark notes of leather and an oud accord, subtly contrasted by sparkling floral notes of rose and jasmine.

• Top notes: rose
• Middle notes: jasmine, sandalwood
• Base notes: leather, oud

Scotia Flora (Bouquet des Highlands / Highland Flowers) (1840) – Translated as "Highland Flowers", Scotia Flora was based on the delicate, aromatic scent of heather. It was a popular 19th-century fragrance created by various perfumers, including Guerlain, following the common perfume structures of the period. The fragrance was presented in the Carre flacon (square flacon) for parfum. Discontinued at an unknown date, it was still available for sale in 1848. Scotia Flora is classified as a floral oriental fragrance for women, evoking the wild beauty and romantic landscapes of the Scottish Highlands.

• Top notes: bergamot, lemon, neroli, lavender, cassie, violet
• Middle notes: jasmine, tuberose, rose, orange blossom, orris root, reseda, wood violet, ionone
• Base notes: rosewood, musk, tolu balsam, vanilla, vanillin, ambergris, coumarin, benzoin, almond, civet, styrax

Secret de La Reine (2017) - Limited Edition for Chinese market. 

Secret Intention (2001) – This fragrance was created by Jean-Paul Guerlain as a limited edition for Valentine’s Day 2001. It was presented in a clear rounded bottle accented with gold-tone “claws,” holding 1 oz of Eau de Parfum. Classified as a floral fragrance for women, Secret Intention evokes an air of romance and intimacy, reflecting the playful yet mysterious spirit suggested by its name.

• Top notes: coriander, Ceylon tea, Calabrian bergamot, cardamom and lemon
• Middle notes: peony, jasmine and neroli
• Base notes: sandalwood, tonka bean and vanilla

Senorita (1883/1889) – Translated as "Young Lady" or "Miss", this fragrance was created in the late 19th century, around 1883–1889. Discontinued (date unknown).

Senteur de Champs (1828) – Translated as "Scent of the Fields", also known as "Prairie Flowers", this fragrance was a popular 19th-century perfume created by various perfumers, including Pierre-François Pascal Guerlain, following the common structure of the period. It was housed in the Carre flacon (square flacon) for parfum. Discontinued (date unknown), Senteur de Champs is classified as a floral fragrance for women.

• Top notes: bergamot, lemon, petitgrain, sweet orange, orange blossom
• Middle notes: lavender, rose, violet, tuberose 
• Base notes: civet, musk, tonka bean, Peru balsam, ambergris 

Senteur de Soir (c1872) – Translated as Scent of the Evening, this fragrance was created during the 19th century and housed in the Carre flacon (square flacon) for parfum. Discontinued (date unknown).

Senteurs de la Vallée (19th century) – Translated as "Scents of the Valley", this fragrance was created during the 19th century and housed in the Carre flacon (square flacon) for parfum. Discontinued (date unknown).

Seringa (19th century) – Translated as "Lilac", this fragrance was a popular scent during the 19th century, created by various perfumers including Guerlain, following the common perfume structures of the period. It was housed in the Carre flacon (square flacon) for parfum. Discontinued (date unknown), it is classified as an opulent floral oriental fragrance for women.

• Top notes: lemon, bergamot, orange blossom, verbena, cassie, rose
• Middle notes: jonquil, rose, tuberose, jasmine, violet, iris, clove
• Base notes: rosewood, vanilla, musk, ambergris, tolu balsam, Peru balsam, civet

Serpolet (c1872) – Translated as "Wild Thyme", this fragrance was created around 1872, during the 19th century, and reflects the period’s common perfume structures. It was housed in the Carre flacon (square flacon) for parfum. Discontinued (date unknown)

Shalimar (1925) – The name Shalimar evokes the famous Mughal gardens in India, symbolizing romance and exotic luxury. Created by Jacques Guerlain, it was temporarily renamed No. 90 during the early 1930s when sold in the UK, reflecting Guerlain’s stock catalog number. Eau de Cologne (EDC) was introduced in 1937, followed by the Parfum de Toilette (PDT) in 1986. The 1989 vintage version is classified as an oriental fragrance for women. Shalimar opens with a bright, citrusy top, flows into a woody floral heart, and settles on a sweet, powdery, balsamic base, creating a lush and enduring scent that celebrates elegance and sensuality.

• Top notes: bergamot, lemon, mandarin, rosewood
• Middle notes: jasmine, rose de mai, heliotrope, orris, patchouli, vetiver
• Base notes: sandalwood, vetiver, ambergris, frankincense, opoponax, Siam benzoin, Peru balsam, leather, civet, vanilla, tonka bean and musk

Shalimar was reformulated during various time periods. It is classified as an oriental fragrance for women.

• Top notes: lemon, bergamot, mandarin
• Middle notes: jasmine, may rose, heliotrope, opoponax, patchouli, iris
• Base notes: orris, sandalwood, vetiver, musk, incense, tonka bean, vanilla, civet, Peru balsam, benzoin, leather, ambergris

Shalimar Cologne (2015) - Created by Thierry Wasser. 50 ml and 90 ml Eau de Toilette. Housed in the Jade Jagger Shalimar flacon. It is classified as a light citrus oriental fragrance for women.

• Top notes: bergamot, lemon, lime and grapefruit
• Middle notes: freesia, rose and jasmine
• Base notes: vanilla, orris and white musk

Shalimar Eau De Parfum Serie Limitee (2020). It is classified as a floral amber fragrance for women.

• Top notes: citruses, mandarin orange, bergamot, cedar and lemon
• Middle notes: iris, vetiver, jasmine, rose and patchouli
• Base notes: vanilla, incense, tonka bean, opoponax, leather, sandalwood, civet and musk.

Shalimar Eau Légère Parfumée (2003) – Also known as "Shalimar Light Fragrance", this version was created by Mathilde Laurent. Unlike the original Shalimar, it omits the musky accord, flowing directly from a fresh, cool lemon top note into a warm, soft vanilla heart. As its name suggests, it is a lighter and more airy interpretation, offering a simpler, more approachable take on the classic. The fragrance is presented in a modified version of the Chauve-Souris flacon, retaining an elegant and distinctive silhouette.

• Top notes: bergamot, key lime, lemon
• Middle notes: orange, iris, rose, jasmine
• Base notes: orris, tonka bean, sandalwood, ambergris, vanilla

Shalimar Eau Légère Parfumée (2004) – Reformulated by Jean-Paul Guerlain, this edition of Shalimar Light Fragrance was later discontinued and replaced by Eau de Shalimar in 2008. Unlike the 2003 version, the perfume liquid is tinted blue rather than yellow, offering a fresh visual distinction. It is presented in a modified version of the Chauve-Souris flacon, maintaining the iconic curved silhouette while reflecting the lighter, airy character of the fragrance.

• The top notes are lemon, thyme and bergamot
• Middle notes are jasmine, rose, iris and orange
• Base notes: orris, tonka bean,sandalwood, vanilla and amber

Shalimar Edition Charms (2010) - Limited edition 75ml eau de parfum collector's flacon, no change in formula bottle decorated with Oriental motifs, evokes the splendours of India. Slender arabesques unfurl their delicate volutes over the bottle and box.

Shalimar Initial L'Eau (2012) – Created by Thierry Wasser, this fragrance is a fresher, lighter reinterpretation of the original Shalimar Parfum Initial, emphasizing bright citrus top notes for a vibrant, modern opening. It is presented in a modified Chauve-Souris flacon, taller and sleeker than previous editions, featuring a blue stopper and a pink tassel around the neck. The perfume liquid itself is a warm pink, complementing the elegant and contemporary design while reflecting the lively character of the scent.

• Top notes: bergamot, orange, grapefruit, neroli.
• Middle notes: iris and jasmine absolute.
• Base notes: vanilla and tonka bean.

Shalimar Millésime Tonka (2022) – Created by Thierry Wasser and Delphine Jelk, this fragrance is part of the Shalimar lineage and is classified as an amber vanilla scent for women. It highlights the rich, warm sweetness of tonka bean layered with classic Shalimar accords, offering a modern yet timeless interpretation of the iconic oriental perfume.

• Top notes: bitter almond and bergamot 
• Middle notes: iris, rose and jasmine sambac 
• Base notes: tonka bean and vanilla 

Shalimar Millésime Vanilla Planifolia (2021) – Created by Thierry Wasser and Delphine Jelk, this fragrance is classified as an amber vanilla scent for women. Highlighting the rich, creamy depth of natural Vanilla Planifolia, it offers a modern homage to the classic Shalimar character. Released in 2021, it was discontinued by 2022, making it a rare and sought-after edition for collectors.

• Top notes: bergamot, lemon 
• Middle notes: iris, rose, jasmine 
• Base notes: vanilla, Madagascar vanilla, amber, patchouli, musk, wood

Shalimar Ode à la Vanille (2010) – Created by Thierry Wasser, this fragrance highlights Shalimar’s iconic base note of vanilla. The composition combines two distinct vanilla essences: vanilla tincture from Mayotte and vanilla absolute from Madagascar, each selected for their rich and nuanced profiles. Presented in a 1.7 oz bottle designed by Jade Jagger and originally priced at $110, this limited edition has since been discontinued. It is classified as an oriental vanilla fragrance for women.

• Top notes: bergamot, lemon
• Middle notes: rose, jasmine, iris, exotic spices, incense, opoponax
• Base notes: sandalwood, resins, tonka bean, Madagascan vanilla absolute and Mayotte vanilla tincture

Shalimar Ode à la Vanille Sur la Route de Madagascar (2012) – Created by Thierry Wasser, this limited edition fragrance showcases the varietal Sambava vanilla tincture from Madagascar, celebrated for its rich, creamy, and subtly spicy character. Housed in the 1.7 oz bottle designed by Jade Jagger and originally priced at $110, it is classified as an oriental woody fragrance for women.

• Top notes: mandarin, cedar, bergamot, lemon
• Middle notes: iris, jasmine, rose, patchouli, vetiver
• Base notes: leather, musk, incense, dill, sandalwood, amber, patchouli, Madagascan vanilla, benzoin and Peru balsam

Shalimar Ode à la Vanille Sur la Route du Mexique (2013) – Created by Thierry Wasser, this limited edition fragrance highlights the varietal Mexican vanilla extract, prized for its warm, sweet, and slightly smoky nuances. Housed in the 1.7 oz bottle designed by Jade Jagger and originally priced at $110, it is classified as an oriental vanilla fragrance for women.

• Top notes: sweet dried fruit, plum, Mexican vanilla
• Middle notes: caramel, chocolate
• Base notes: opoponax, iris, frankincense, natural gum, tonka bean

Shalimar Oiseau de Paradis (2009) – Oiseau de Paradis translates as "Bird of Paradise." This limited edition collector’s flacon contains the same Shalimar eau de parfum. It is presented in a footless, modified Chauve Souris flacon, elegantly covered in blue lacquer and adorned with a striking blue feather. The bottle holds 50ml of eau de parfum.

Shalimar Parfum Initial (2011) – Created by Thierry Wasser, this is a lighter version of the iconic Shalimar. Available in 40, 60, and 100ml Eau de Parfum, the liquid is colored in warm pink. The fragrance is housed in a modified Chauve Souris flacon, taller and sleeker than previous versions, capped with a blue stopper and finished with a blue tassel on the neck. Discontinued in 2014, it is classified as a floral chypre fragrance for women.

• Top notes: bergamot zest, green notes and orange zest
• Middle notes: rose, iris and jasmine 
• Base notes: vanilla, amber, white musk, tonka bean, vetiver and patchouli

Shalimar Parfum Initial L'Eau (2012) – Created by Thierry Wasser, this version offers a fresher interpretation of Shalimar Parfum Initial. Discontinued in 2014, it is classified as a floral oriental fragrance for women.

• Top notes: neroli, bergamot, orange and grapefruit
• Middle notes: lily of the valley, freesia, Damask rose, jasmine, iris and hyacinth
• Base notes: vanilla and tonka bean

Shalimar Parfum Initial A Fleur de Peau (2012) - Created by Thierry Wasser. Limited edition collector's flacon, no change in formula. Flacon designed by Gripoix and Guerlain, each Baccarat crystal flacon contains 2 liters of parfum and is numbered and adorned with a golden necklace and flesh colored smalt.

Shalimar Parfum Initial L'Eau Si Sensuelle (2013) - Created by Thierry Wasser. Limited edition deluxe collector's flacon, no change in formula, a frosting of the bottle's glass and a pink feather replacing the original neck tassel.

Shalimar Philtre de Parfum (2020) – Created by Thierry Wasser, this modern interpretation of the classic Shalimar is classified as a floral amber fragrance for women. 

• Top notes are lemon, bergamot and lavender 
• Middle notes are iris, jasmine and rose 
• Base notes are vanilla, tolu balsam and patchouli

Shalimar Souffle de Lumière (2018) – Created by Thierry Wasser as a limited edition, the name translates to "Shalimar Breath of Light". This fragrance is classified as a sparkling, light, airy, and delicate floriental perfume, offering a luminous and ethereal interpretation of the iconic Shalimar.

• Top notes: Calabrian bergamot
• Middle notes: Italian jasmine and ylang ylang
• Base notes: vanilla, benzoin and white musk

Shalimar Souffle de Parfum (2014) – Created by Thierry Wasser as a limited edition, the name translates to "Shalimar Breath of Perfume". Available in 30ml, 50ml, and 100ml Eau de Parfum, this fragrance is classified as a sparkling, light, airy, and delicate floriental perfume, offering a luminous and modern reinterpretation of the classic Shalimar.

• Top notes: lemon, bergamot and mandarin 
• Middle notes: Indian sambac jasmine and orange blossom water absolute 
• Base notes: Tahitian vanilla, Indian vanilla and white musk

Shalimar Souffle de Parfum (2015) - Created by Thierry Wasser. This is a limited edition collector's bottle. The juice is the same formula as the usual Shalimar Souffle de Parfum EDP. 50ml Eau de Parfum. Housed in the Jade Jagger Shalimar flacon decorated with an image of the Taj Mahal and Gardens of Shalimar.

Shalimar Souffle d'Oranger (2019) – Created by Thierry Wasser as a limited edition, the name translates to "Shalimar Orange Blossom Breath". It is classified as a floriental perfume, offering a luminous and modern interpretation of the classic Shalimar, with a delicate interplay of floral and oriental notes.

• Top notes: petitgrain, bergamot and mandarin
• Middle notes: Indian Sambac jasmine and Calabrian neroli
• Base notes: vanilla, orange blossom absolute, sandalwood

Shalimar Souffle Intense (2017) – Created by Thierry Wasser as a limited edition, the name translates to "Shalimar Intense Breath". It is classified as a sparkling, light, airy, and delicate floriental fragrance for women, offering a luminous reinterpretation of the classic Shalimar with an emphasis on subtle elegance and refined radiance.

• Top notes: lemon, bergamot and mandarin orange 
• Middle notes: jasmine and orange blossom 
• Base notes: Tahitian Vanilla, Indian Vanilla, benzoin and white musk

Shalimar Yellow Gold Limited Edition (2008) - To celebrate 180 years in business, Guerlain presented Shalimar in a limited edition collector's flacon, no change in formula. Eau de toilette bottle covered with matte gold lacquer. Another special numbered limited edition for Extrait de Parfum for Shalimar, this 30ml bottle, matte gold finish, it retailed for 278 euros.

Shiny Cherry Blossom (2005) – Created as a limited edition, possibly discontinued around 2010.  Exclusively available in Japan and select duty-free shops, this fragrance captures an ethereal, gently floral aroma reminiscent of the first tender blossoms of spring. It was presented in a simplified, elongated Louis XVI spray flacon, holding 35ml of eau de toilette.

• Topnotes: bergamot, citruses
• Middle notes: cherry blossom, green tea
• Base notes: musk

Shore's Caprice (1872) – Created by Aimé Guerlain and reformulated in 1893, Shore’s Caprice was inspired by the sea and crafted for Comtesse Emanuella Pignatelli Potocka, later worn by Julia Forsell. The perfume was occasionally misnamed as “Shaw’s Caprice” or “Show Caprice” in some publications. Developed to neutralize the strong odors of certain furs, it was presented as an extrait intended for use on handkerchiefs. Louise Gagneur specifically mentions it in the 1886 edition of Pour Être Aimée: Conseils d’une Coquette: “Another perfume, completely special and original strong, it is the Shore’s Caprice that suits especially to neutralize the too pronounced odor of certain furs.” Housed in the Carre flacon, the fragrance was still being sold in 1901, though the exact date of discontinuation is unknown.

Sillage (1907) – Created by Jacques Guerlain, Sillage takes its name from the French word for the wake of a ship, evoking the lingering trail of fragrance left behind as someone passes by. It was presented in the Empire flacon and was also available in the Goutte flacon as an eau de toilette. The perfume is classified as a musky floral fragrance for women, featuring white flowers layered over the signature Guerlinade accord, enriched with leather, musk, and woodsy notes. Later editions incorporated aldehydes in the top notes to enhance its luminous, airy character. Discontinued at an unknown date, it was still available for sale in 1941.

• Top notes: aromatic notes, jasmine, bergamot, lemon, orange, green hyacinth, heliotrope, lilac
• Middle notes: jasmine,Bulgarian rose, clove, tuberose, ylang ylang, lily of the valley, Bouvardia base, magnolia, mint, violet
• Base notes: sandalwood, oakmoss, ambergris, green resins, vanilla, musk, ambergris, tonka bean, leather, spices, civet, Tibetan musk

Skiné (1885) – Named after a city on Crete, Skiné was created by Aime Guerlain. The exact date of its discontinuation is unknown. The perfume was still available for sale in 1896.

Somma Riva (c1872) – Italian for "High Shore." Discontinued (date unknown), it remains a testament to the sophisticated sensibilities of 19th-century perfumery.

Songe d'Un Bois d'Eté (2012) – Translated as "Dream of a Summer Wood", this fragrance was created by Thierry Wasser as part of the Les Déserts d'Orient collection, exclusively for the Middle Eastern market. The composition opens with the warm, aromatic spiciness of saffron and cardamom, layered over a subtly dry touch of laurel. At its heart, jasmine adds a delicate floral individuality, while the woody base, built on cedar, mingles with oud, myrrh, patchouli, and leathery accords to create a smoky, subdued, and contemplative effect. Presented as a 75ml eau de parfum, it is classified as a leather fragrance for men and women.

• Top notes: bay leaf, neroli, cardamom
• Middle notes: patchouli, saffron note, jasmine, cedar wood.
• Base notes: leather, myrrh, laurel, oud

Sornette (19th century?) – The name Sornette translates from French as "Trifle" or "Nonsense".  Details on its presentation are limited, though it was housed in the traditional Carre flacon (parfum). Discontinued, date unknown.

Sous Le Vent (1932), meaning “Under the Wind”, was created by Jacques Guerlain for the legendary Josephine Baker, the dazzling American-born performer who had become a cultural icon in Paris. Introduced to the public in 1933, the fragrance captured Baker’s warmth and magnetism through its intoxicating jasmine heart, set within the structure of an aromatic chypre. Initially presented in the elegant Rayonnant flacon in 1934, it later appeared in the Tonnelet flacon for parfum (1949–1972), as well as the Goutte (eau de toilette) and Montre (eau de cologne) presentations. Discontinued around 1972, Sous Le Vent remains a rare and evocative creation, forever linked to the glamour and daring spirit of Josephine Baker in 1930s Paris.

• Top notes: cyclamen, anise, bergamot, galbanum
• Middle notes: jasmine, rose, lily of the valley, ylang ylang, verbena, tarragon, lavender, myrtle
• Base notes: oakmoss, balsamic notes and musk

Sous le Vent (2006) – Translated as "Under the Wind", this version was reformulated by Jean-Paul Guerlain and relaunched as part of Guerlain's Il Était Une Fois (Once Upon a Time) collection, a limited-edition series reviving classic fragrances from the Guerlain repertoire. It is classified as a leather chypre fragrance for women.

• Top notes: bergamot, lavender, tarragon 
• Middle notes: jasmine, carnation and a green accord
• Base notes: iris, oakmoss, leather and precious woods

Souvenir d'Orchidée (2024) – Translated as Memory of Orchid, this fragrance was created by Delphine Jelk in collaboration with the artist Lee Ufan. It is classified as an aquatic floral fragrance for women, offering a fresh and elegant interpretation of floral notes with a watery, ethereal quality. Crafted from Maison Bernardaud's Limoges porcelain, the iconic Flacon Quadrilobé serves as a pristine canvas for Lee Ufan's subtle yet profound brushstroke. This exclusive limited-edition collection features only 21 numbered pieces.

• Top notes: jasmine sambac, angelica, aquatic notes 
• Middle notes: powdery notes, iris, moss 
• Base notes: amber, musk

Spiritueuse Double de Fleurs de Ecosse (1853) – Translated as "Highland Flowers"or "Scotia Flora", this fragrance dates from 1853 and reflects the 19th-century fascination with the heather-scented landscapes of Scotland. Created by various perfumers including Guerlain, it was a popular scent of the period, following the common compositional structures of its era. Housed in the Carre flacon (parfum), it is classified as a floral oriental fragrance for women.

Spiritueuse Double Vanille (2007) – Translated as "Double Vanilla Spirit", this fragrance was created by Jean-Paul Guerlain as a limited edition. It celebrates the rich, enveloping warmth of vanilla in a sophisticated oriental composition. In 2011, it was reissued in a new bottle, making the scent accessible to a broader audience. It is classified as an oriental fragrance for women.

• Top notes: pink pepper, incense bergamot
• Middle notes: jasmine, spices, ylang-ylang, cedar and Bulgarian rose
• Base notes: amber, benzoin, vanilla and incense

Spring Flowers (c1872) – Known in French as "Fleurs de Printemps", this fragrance was created by various perfumers including Guerlain. It was a popular scent of its era, following the common compositional structures of the period. Housed in the Carre flacon (parfum), it is classified as an opulent floral oriental fragrance for women.

• Top notes: bergamot, sweet orange, cassie, rose, violet, sweet pea
• Middle notes: hyacinth, magnolia, seringa, geranium, rose, violet
• Base notes: verbena, vanillin, sandalwood, ambergris, civet, musk

Stalizia Grandiflora (1883/1889) – Named after the Stalitzia or Bird of Paradise plant, this fragrance captures the exotic elegance of its namesake. Created during the late 19th century, it reflects the period’s fascination with rare and tropical botanicals. Housed in the Carre flacon (parfum).

Stephanotis (1879/1881) – Named after the stephanotis flower, this fragrance was a popular scent of the late 19th century, created by various perfumers including Guerlain. Following the common compositional structures of its era, it embodies a delicate, opulent floral character. Housed in the Carre flacon (parfum), it exemplifies the refined elegance and classic style of period perfumes.

• Top notes: bergamot, neroli, heliotropin, cassie, linalyl acetate
• Middle notes: tuberose, rose, rhodinol acetate, orris, jasmine, ylang ylang, ionone alpha, isoeugenol
• Base notes: musk, musk ambrette, rosewood, benzoin, storax, tonka bean, coumarin

Suaveolens (19th century) – The name translates roughly as “Sweet-Smelling” in English.  It was elegantly housed in the Carre flacon (parfum), reflecting the refined and classic presentation typical of period perfumes.

Superdulci (1883/1889) – The name can be translated as “Very Sweet” in English. It was elegantly presented in the Carre flacon (parfum). Though discontinued at an unknown date, it remained available for sale as late as 1923, reflecting its lasting appeal among connoisseurs of the era.

Superior Distilled Lavender Water (1839) 

Sweet Briar (c1840) – Created by various perfumers including Guerlain, Sweet Briar was a popular fragrance of the 19th century, following the common compositional structures of its era. It was housed in the Carre flacon (parfum). Discontinued at an unknown date, it is classified as a floral oriental fragrance for women.

• Top notes: bergamot, Portuguese neroli, lemon, lemon grass, orange, cassie, rose
• Middle notes: rose geranium, rose otto, cassie, orange blossom 
• Base notes: civet, orris, sandalwood, ambergris, musk

 

Sweet, Dear (1893) – Introduced in 1893, Sweet, Dear (“Douce, Chère”) was a romantic and tenderly named fragrance that reflected the sentimental style of the late 19th century. Housed in the Carre flacon (parfum), it followed the common compositional structures of its era. Discontinued at an unknown date.

Sweet Flowers (19th century) – It was housed in the Carre flacon (parfum) and has since been discontinued, though the exact date is unknown.

Synthese Aromatique (1892) – Synthese Aromatique (translated into English as Aromatic Synthesis) was introduced in 1892. Typical of the late 19th century style, it followed the prevailing structures of the time, blending natural and synthetic essences into a harmonious composition. It has since been discontinued, though the exact date remains unknown.

Syringa du Japon (1870) – Created by Aimé Guerlain is translated as "Japanese Mock Orange". This fragrance reflected the 19th-century fascination with exotic botanicals and was housed in the Carre flacon (parfum). Though discontinued at an unknown date, records show it was still being sold as late as 1897.

• Top notes: sweet orange, Portuguese orange, lemon, neroli, citral, green notes, acacia, mock orange, methyl anthranilate,honeysuckle, methyl acetophenone
• Middle notes: hydroxycitronellal, anisic aldehyde, reseda, rose, magnolia, jasmine, indole, lilac, heliotropin, cinnamic alcohol, isoeugenol, ylang ylang, alpha ionone
• Base notes: rosewood, pepper, patchouli, tonka bean, vanilla, musk, opoponax

T:

Tacoma Gracilis (1883/1889) – Tecoma gracilis has large yellow flowers and small leaves . This variety clings to stone walls and is a hardy plant and grows very sturdily. It was housed in the Carre flacon (parfum). Discontinued at an unknown date, it remains a rare example of Guerlain’s early olfactory creations.

Take It (1883/1900) – An unusual English-titled perfume in Guerlain’s catalog, Take It was introduced in the late 19th century, reflecting the fashion for playful and cosmopolitan names. It was housed in the Carre flacon (parfum). Discontinued at an unknown date, it illustrates Guerlain’s experimental spirit during this period.

Terracotta Eau Sous Le Vent (2009) – This fragrance-mist was created as part of the Terracotta line. More than a perfume, it functioned as a skincare product: a hydrating mist that enhanced tanning with the “Tan Booster” complex while enveloping the skin in a floral veil dominated by exotic Tiaré flower. Enriched with vegetable protein for hydro-regulation, it helped protect the skin from dryness and the intensity of summer heat. It is classified as a floral fragrance.

Terracotta Le Parfum (2014) – Created by Thierry Wasser to celebrate the 30th anniversary of Guerlain’s iconic Terracotta makeup and fragrance line, this 100ml eau de toilette is housed in a sleek, disk-shaped flacon. Designed as a solar floral, it evokes the warmth and radiance of a tropical beach vacation, blending luminous floral notes with sun-drenched accords for an irresistibly radiant and exotic aura.

• Top notes: bergamot, coconut and tiare flower 
• Middle notes: jasmine, ylang-ylang and orange blossom 
• Base notes: musk and vanilla

Terracotta Voile d'Été (1999) – “Summer Veil” – Created by Jean-Paul Guerlain and Mathilde Laurent, this fragrance was launched as a limited edition to complement the Terracotta cosmetic and body line. Presented as a 100ml eau de toilette in the Montre flacon, typically reserved for eau de colognes, it was discontinued by 2001. It was briefly reissued as No.25 in 2002 as part of the Les Parisiennes line, discontinued again by 2004, and later revived in 2005 under the name Quand Vient l'Été (“When Summer Comes”) as an eau de parfum.

• Top notes: bergamot, mint, pear, white lily
• Middle notes: jasmine, rose, carnation, heliotrope, iris, ylang ylang
• Base notes: vanilla, tonka bean, orris

The Best (19th century) – It was housed in the Carre flacon (parfum). Now discontinued, the exact date of its withdrawal from production is unknown.

Thymelia (1842/1872) – Created during the mid-19th century, Thymelia takes its name from the thyme plant, reflecting the era’s fascination with botanical inspirations. It was housed in the Carre flacon (parfum). Discontinued (date unknown).

Tillia Microphilla (1848)  - Extrait de Tillia Microphilla was part of Guerlain’s “Essence du Jardin d’Hiver” collection, in which each fragrance highlighted a single botanical note. The perfume likely drew inspiration from Tilia (linden or lime tree), with microphilla meaning “small-leaved,” suggesting a delicate, refined character. Like other fragrances in the collection, it was presented as a blended bouquet with a Latin or pseudo-Latin name, reflecting 19th-century tastes for classical, scholarly, and exotic associations. Housed in the elegant Carré flacon, the fragrance was still sold in 1872 but has since been discontinued (exact date unknown). It exemplifies Guerlain’s early artistry in botanical-inspired perfumery and was celebrated at events such as the Universal Exposition.

To Be (1928) – Created in 1928, To Be was a fragrance of the interwar period, reflecting the refined elegance and modernity of its era. Further details regarding its flacon or availability remain scarce.

Tonka Imperiale (2010) – Created by Thierry Wasser, Tonka Imperiale was launched for the opening of Guerlain’s renovated flagship store in Paris as part of an exclusive line of three perfumes, L’Art et la Matière (The Art and Material, a pun on the French expression L’Art et la Manière – “the art and manners”). Presented in an oblong, slender block of glass, the bottle is decorated on one end with a gilded metal strip bearing the perfume’s name. It is classified as an oriental fragrance for men and women.

• Top notes: bitter almond, rosemary, bergamot
• Middle notes: tobacco, tonka bean, jasmine, white honey, cinnamon, nutmeg, ginger
• Base notes: ambergris, vanilla, pine, cedar, incense

Toutes Fleurs (1870) – "All Flowers" . Discontinued, date unknown, it remained available for sale as late as 1894.  

Trabli (19th century?) – "Trouble" in Greek, was a fragrance from the 19th century, though specific details about its creation and perfumer remain uncertain. Its name suggests a bold or intriguing character, in keeping with the evocative naming conventions of the period.

Trevol (1883/1889) – Also known as Trefle or Clover, it was created by various perfumers including Guerlain and was a very popular scent of the period, following the common compositional structures of its era. It was housed in the Carre flacon (parfum). Discontinued at an unknown date, it is classified as a floral oriental fragrance for women.

• Top notes: phenylacetaldehyde, bergamot, neroli, orange, cassia, coriander, linaloe, lavender, amyl salicylate
• Middle notes: hyacinth, jasmine, tuberose, ylang ylang, isobutyl salicylate, rose geranium, geraniol, linalyl acetate
• Base notes: heliotropin, clove, isobutyl benzoate, musk, benzoin, coumarin, vanillin, sandalwood, civet, oakmoss

Triple Extrait de Chypre (1853)

Tsao-Ko (1879) – Created by Jacques Guerlain and reformulated in 1898. Discontinued, date unknown. Tsao-Ko was still being sold during WWII. Named for the red or black cardamom, which has a smoky, earthy, balsamic, spicy, and sweet scent, it is classified as a powdery oriental fougère fragrance.

• Top notes: rice powder, jasmine, aromatic notes, balsamic notes 
• Middle notes: jasmine, rose, cassie, ylang ylang, spices, Tonkin musk, leather, sandalwood, civet 
• Base notes: iris, ambrette, oakmoss

Tsatli (1890) – Named for a type of white silk known as Tsatli, after the town of the same name, this fragrance was designed for use in perfume burners (parfum à brûler).

Tubereuse (1835) – Created by various perfumers including Guerlain, Tubereuse (Tuberose) was a popular fragrance of the period, following the common compositional structures of its era. It was housed in the Carre flacon (parfum). Discontinued at an unknown date, it was still being sold in 1933. It was classified as a floral fragrance for women.

• Top notes: lemon, neroli, orange blossom, bitter almond, tuberose infusion
• Middle notes: tuberose concrete, rose, jasmine, ylang ylang
• Base notes: vanilla, vanillin, orris, civet, benzoin, musk, costus, Peru balsam

 

Tume or Tum (1902) – Tume or Tum was housed in the Carre flacon (parfum). Discontinued at an unknown date.

U:

Ultrarome (1892) –  Further details on its presentation or discontinuation are unknown.

Ultra Fresca (1892) – Its name translates as “Ultra Fresh” in English. Further details on its presentation or discontinuation are unknown.

Un Air de Samsara (1995) – Created by Jean-Paul Guerlain, Un Air de Samsara (“A Breath of Samsara”) is a lighter, sibling version of Guerlain's oriental fragrance Samsara. This fresh and breezy reinterpretation adds buoyancy to the original ambered floral composition of 1989. Designed for the woman who seeks harmony and spirituality like the Samsara woman, yet embodies spontaneity and freshness, she is serene, sparkling, and mischievous. Presented in a colorless, frosted spray flacon. Discontinued (date unknown). It is classified as a woody green oriental fragrance for women.

• Top notes: bergamot, lemon, mint, and leafy notes
• Middle notes: narcissus and jasmine
• Base notes:iris,  Indian sandalwood

Un Bal Chez Flore (1876) - Housed in the Carre flacon (parfum). Named after a 1876 poem by Albert Villeneuve, titled "Bal Chez Flore". The poem is a whimsical, celebratory depiction of a grand ball hosted by Flora, the goddess of flowers, as May comes to an end. Flowers are anthropomorphized, each dancing, socializing, and expressing emotions, creating a lively and vivid tableau. The poem blends playful romance, rivalry, and festivity, culminating in the scattering of the flowers at nightfall—a magical farewell to spring. The flowers mentioned are: Bluebell, Tulip, Lily, Daisy, Verbena, Pansy, Carnations, Hawthorns, Lily-of-the-Valley, Periwinkles, Broom, Larkspur, Dandelions, Rose, Peony, Snowballs, Pomegranate, Lilacs, Wisterias, Violets, Marigolds, Jasmine, Daffodils.

Un Brin de Reseda (19th century) – Translated as “A Sprig of Mignonette,” this fragrance was based on reseda, a plant cherished in 19th-century perfumery for its soft, green, and slightly sweet floral qualities. It was presented in the classic Carré flacon (parfum). Now discontinued, with the exact date unknown, it reflects the refined floral compositions favored in its time.

• Top notes: bergamot, neroli, orange, bitter almond, cassie, geranium, reseda geraniol
• Middle notes: tuberose, jasmine, violet, rose, orange blossom, orris resin, clove, nettle
• Base notes: sandalwood, tonka bean, vanilla, benzoin, styrax, musk, tolu balsam, Peru balsam, costus, ambergris, ambrette, labdanum, storax

Une Rose (1908) – Created by Jacques Guerlain, Une Rose (“A Rose”) was first launched in 1908 and remained available until its discontinuation at an unknown date, though it was still being sold in 1936. Jacques Guerlain later reformulated the fragrance in 1947, with this version continuing into the 1960s before being discontinued again. It was presented in both the Quadrilobe flacon (parfum) and the Amphore flacon (parfum). The fragrance is classified as a floral oriental.

• Top notes: wild berries, hyacinth, verbena, Bourbon geranium, lilac, cassie, neroli, petitgrain, sweet orange 
• Middle notes: Ceylon tea, pepper, cinnamon, rose absolute, clove, carnation, heliotrope, rose oil, violet, jasmine, tuberose 
• Base notes: musk, orris, oakmoss, patchouli, sandalwood, benzoin, cedar, ambergris, tolu, civet

Une Verveine se Meurt (1889) – Created by Aimé Guerlain, Une Verveine se Meurt (“A Verbena is Dying”) was introduced in 1889. Reflecting the poetic style of the late 19th century, the fragrance likely emphasized the fresh, citrusy, and green qualities of verbena while evoking a sense of fading beauty. Discontinued at an unknown date, it remains one of Guerlain’s more rare and lesser-documented creations from this era.

• Top notes: lemongrass, lemon verbena, lime, bergamot, sweet orange, neroli, citral, orange blossom 
• Middle notes: rosemary, verbena, jasmine, carnation, tuberose, rose, rose geranium, clove, orris
• Base notes: sandalwood, civet, musk, musk ketone, oakmoss, costus, tolu balsam, balsam of Peru, labdanum, elemi, benzoin, storax, vanillin

United States (1873/1876) – Created in honor of the United States Centennial celebration, this fragrance was part of the patriotic wave of perfumes produced during the era. A popular composition known as Centennial Bouquet was made by various perfumers, each following a generally accepted structure to evoke festivity and national pride. Representative of its time, it blended florals in a harmonious bouquet, a style that resonated with celebratory and commemorative themes of the centennial.

• Top notes:  lemon, verbena, orange blossom
• Middle notes: rose, jasmine, tuberose
• Base notes: ambrette, vanilla, musk, sandalwood

United States Perfume (1879/1881) - Probably the same perfume as above.

Unter der Linden (1864) – Translating to “Under the Linden Tree” in English, this fragrance was launched in 1864 and celebrates the delicate, honeyed scent of linden blossoms. True to the 19th-century preference for naturalistic floral compositions, it captures the gentle, sweet, and subtly green aroma of linden trees in full bloom. The perfume was presented in the elegant Carré flacon, reflecting the refined design sensibilities of the era. Although the exact date of its discontinuation is unknown, Unter der Linden remains an important example of early floral inspiration in European perfumery. The fragrance draws its name from Unter den Linden, the famed boulevard in Berlin’s central Mitte district. Stretching from the Berlin Palace to the Brandenburg Gate, the avenue is lined with stately linden trees—known as “lime” in the UK and Ireland, and “basswood” in North America, though unrelated to the citrus fruit—planted along its grassy median and broad carriageways. By the 19th century, as Berlin expanded westward, Unter den Linden had become the city’s most prestigious and celebrated street, connecting numerous landmarks, historic sites, and scenic riversides, making it both a cultural and urban centerpiece.

• Top notes: bergamot, lemon, petitgrain, cassie, anise aldehyde, blue chamomile, linden blossom, linaloe
• Middle notes: jonquil, heliotropin, hyacinthine, jasmine, African geranium, geranyl formate, clove
• Base notes: terpineol, musk, musk ketone, Bourbon vanilla, vanillin, benzoin, civet, ambrette, ambergris, coumarin

Upper Ten (1879) – The name Upper Ten comes from the expression “the upper ten thousand,” a phrase coined in 1852 by American poet Nathaniel Willis to describe the nation’s elite social class. Reflecting this sense of exclusivity and refinement, Upper Ten became a popular perfume of its era, composed by various perfumers including Guerlain, who followed a common structural style of the time. The fragrance was presented in the Carré flacon (parfum) and is classified as a floral oriental, centered on a rose–citrus–ambery accord with subtle woody undertones, capturing the elegance, sophistication, and fashionable sensibilities of the late 19th century..

• Top notes: bergamot, lemon, Portugal sweet orange, neroli bigarade, petitgrain, verbena, cassie
• Middle notes: geranium, rose, jasmine, orange blossom, orris
• Base notes: rose, rosewood, ambergris, vanilla, sandalwood

V:

Vague Souvenir (1912) – Created by Jacques Guerlain, Vague Souvenir (“Faint Memory”) was originally presented in the Quadrilobe flacon (parfum) and the Goutte flacon (eau de toilette). By the mid to late 1920s, it appeared in the Beurre flacon, crafted by Baccarat for the 1925 Paris Art Deco Exposition, its label depicting the crystal fountain designed by Lalique for the pavilion’s centerpiece. Discontinued later in the 20th century, it was still being sold as late as 1960. The fragrance is classified as a fruity floral tobacco composition for women.

• Top notes: aldehydes, anise, jasmine, absinthe, lavender, bergamot, peach, plum 
• Middle notes: gardenia, carnation, jasmine, rose, orange blossom, ambrette, clove, marjoram, tobacco 
• Base notes: musk, ylang ylang, tonka bean

Valjoli (19th century?) – Likely named in reference to Le Baron de Valjoli, an 1875 four-act comedy by Edmond Cottinet, a French lawyer, novelist, and playwright whose works occasionally faced censorship. The fragrance’s name reflects Guerlain’s 19th-century tradition of crafting bespoke perfumes for royalty, nobility, and prominent figures, suggesting that Valjoli may have been a personalized creation celebrating a notable individual or cultural work of the period.

Vanille (1836) – Meaning “Vanilla” in English, Vanille was a widely appreciated fragrance in the 19th century, interpreted by several perfumers, including Guerlain, following a common compositional structure of the period. Classified as a floral oriental, it combined the warmth and sweetness of vanilla with subtle floral nuances. The perfume was presented in the elegant Carré flacon (parfum). Though the exact date of discontinuation is unknown, records indicate it was still commercially available in 1853.

• Top notes: jasmine, ylang ylang
• Middle notes: rose, vanilla
• Base notes: musk, vanilla, ambergris, tonka bean, benzoin

Vanille Blanche (c.1840) – Translating to “White Vanilla” in English, Vanille Blanche was a moderately popular 19th-century fragrance, often used in scented hair body powders. Created by several perfumers, including Guerlain, it followed the typical compositional structure of the period. Classified as a floral oriental, it combined soft floral notes with the gentle warmth of vanilla. The date of its discontinuation remains unknown.

• Top notes:
• Middle notes: tuberose, jasmine
• Base notes: vanilla, ambergris, musk

Vanille Brune (c.1840) – Meaning “Brown Vanilla” in English, Vanille Brune was a moderately popular 19th-century fragrance, primarily used in scented hair powders. Developed by several perfumers, including Guerlain, it adhered to the typical compositional style of the era. Classified as a floral woody oriental, the fragrance blended rich florals, warm woods, and sweet-resinous base accords. The exact date of its discontinuation is unknown.

• Top notes: tuberose, jasmine, rose, cloves
• Middle notes: rosewood, palisander wood, ebony wood
• Base notes: vanilla, storax, benzoin, musk

Vanille Chatain (c1840) - Meaning “Chestnut Vanilla” in English, it was a moderately popular 19th-century fragrance, primarily used in scented hair powders. Developed by several perfumers, including Guerlain, it adhered to the typical compositional style of the era. The exact date of its discontinuation is unknown.

Vanille Noire (c.1840) – Translating to “Black Vanilla” in English, Vanille Noire was a moderately popular 19th-century fragrance, often used in scented hair powders. Created by several perfumers, including Guerlain, it followed the standard compositional style of the period. The fragrance combined warm, rich vanilla with subtle floral and powdery nuances. The date of its discontinuation remains unknown.

Vega (1936) – Named after the star Vega, renowned for its brilliance exceeding that of the sun, Vega was created by Jacques Guerlain in 1936. Originally presented in the 4 oz Encrier, an inkwell-shaped bottle crafted by Baccarat, it was packaged in a sleek Bakelite box, reflecting the modernist aesthetic of the era. Classified as an aldehydic floral for women, the fragrance exemplifies the refined elegance and luminous character typical of Guerlain’s interwar creations.

• Top notes: aldehyde, jasmine, bergamot, neroli, blackcurrant
• Middle notes: carnation, rose, ylang ylang, sweet acacia, orange blossom, vetiver, orris, 
• Base notes: ambergris, patchouli, rosewood, sandalwood, vanilla, heliotrope, musk, tonka bean

Vega (1998) – Vega was reformulated and reissued in 1998 as a highly exclusive limited edition, with only 850 copies produced. Presented in a 2 oz Baccarat bottle, the release paid homage to the original 1936 creation by Jacques Guerlain, combining modern refinement with the elegance and collectible appeal of the historic fragrance.

• Top notes: aldehyde, jasmine, bergamot, neroli
• Middle notes: jasmine, rose, ylang ylang, sweet acacia, orange blossom, vetiver, patchouli, sandalwood orris, vanilla
• Base notes: jasmine, heliotrope, musk, tonka bean

Vega (2005) – Reformulated by Jean-Paul Guerlain and relaunched for the renovated flagship Guerlain store on the Champs-Élysées, Vega is a modern interpretation of the classic fragrance. Classified as a floral aldehyde, it centers on luminous jasmine, harmoniously blended with woody and powdery nuances, reflecting both contemporary sophistication and the heritage of Guerlain’s signature elegance.

• Top notes: aldehydes, bergamot, orange blossom
• Middle notes: jasmine, ylang ylang, rose, black currant blossom, carnation, iris, rosewood
• Base notes: vanilla, sandalwood, amber

Vere Novo (1883) – Translating roughly to “New Spring” in English, Vere Novo was created by Jacques Guerlain in 1883. The fragrance remained available at least until 1935 and possibly up to the Second World War. It was presented in the elegant Carré flacon, exemplifying the refined design of Guerlain’s period. The exact date of its discontinuation is unknown.

• Top notes: bergamot, cassie, galbanum, narcissus, mimosa, acacia, hyacinth
• Middle notes: heliotrope, roses, jasmine, violets, snow bells, saffron
• Base notes: vanilla, guaiac, civet, musk, leather, balsam, honey, ambergris, woody notes, pine

Veritable Eau de Cologne (1828)

Veritable Eau de Cologne Royale (1830)

Verveine (1836) – Translating to “Verbena” in English, Verveine was a widely appreciated 19th-century fragrance, created by multiple perfumers, including Guerlain, following a common compositional structure. It remained on the market at least until 1853. It was housed in the Carre flacon starting in 1870. Jacques Guerlain reformulated it in 1936, after which it was released as Eau de Verveine in the 1960s, sold into the 1980s, and later discontinued. The fragrance enjoyed enduring popularity, appearing in the “Lanterne” flacon in the early 1930s, followed by Guerlain’s iconic bee bottle and various spray formats.

• Top notes: lemongrass, lemon verbena, lime, bergamot, sweet orange, neroli, citral, orange blossom
• Middle notes: rosemary, verbena, jasmine, carnation, tuberose, rose, rose geranium, clove, orris 
• Base notes: sandalwood, civet, musk, musk ketone, oakmoss, costus, tolu balsam, balsam of Peru, labdanum, elemi, benzoin, storax, vanillin

Verveine de l’Indes (1840) – Translating to “Indian Verbena” in English, Verveine de l’Indes refers to the fragrant plant also known as lemongrass, which contains 75–85% citral, giving it a bright, citrusy aroma. The fragrance was still available in 1849, though the exact date of its discontinuation is unknown.

• Top notes: lemon, orange
• Middle notes:  lemongrass
• Base notes: lemon verbena, verbena

 

ChatGPT said:

Vetiver (1836) – Translating to “Vetiver” in English, Vetiver was originally created as a unisex fragrance and became widely popular in the 19th century, produced by multiple perfumers, including Guerlain, following a common compositional style. It remained available at least until 1853. Jacques Guerlain reformulated it in 1922, and later, in 1959, Jean-Paul Guerlain reimagined it as a men’s cologne, initially for the South American market before being offered internationally, reaching the USA by 1961. The fragrance was released as an Eau de Cologne in 1959 and as an Eau de Toilette in 1988, with spray formats introduced by 1962 in plastic-coated glass bottles. Historically, it was presented in Guerlain’s Carré, Amphore, and Quadrilobe flacons for parfum.

The vintage version (1985-1989) is classified as a woody chypre fragrance for men. It begins with a citrusy fresh top, followed by a woody heart, resting on a woody mossy ambery base. The freshness of the outdoors, the scent of earth and cut wood embody this scent of vetiver, tobacco, pepper and nutmeg.

• Top notes: bergamot, coriander, pepper, lemon, mandarin, and neroli
• Middle notes: jasmine, vetiver, rose, nutmeg, clary sage, orris, carnation, rosewood, sandalwood 
• Base notes: vanilla, vanillin, tobacco, oakmoss, myrrh, olibanum, leather, civet, ambergris, tolu balsam 

Vetiver (2000) – Translating to “Vetiver” in English, this version of Vetiver was reformulated by Jean-Paul Guerlain in 2000. The update included a redesigned bottle and a refreshed presentation, with the fragrance itself tinted a green shade to reflect its fresh, natural character, while maintaining the classic woody aromatic essence of the original composition.

• Top notes: bergamot, coriander, lemon, mandarin, and neroli
• Middle notes: vetiver and cedar wood
• Base notes: tobacco, walnut, pepper, and tonka bean

Vetiver (2005) – This edition was reformulated by Jean-Paul Guerlain and relaunched in 2005. It was presented in Guerlain’s iconic white bee flacon, combining the classic woody aromatic character of Vetiver with a refreshed packaging that emphasized modern elegance and the heritage of the historic fragrance.

Vetiver Eau Glacée (2004) – Translating to “Iced Vetiver” in English, Vetiver Eau Glacée, also known as Vetiver Frozen Fragrance, was created by Jean-Paul Guerlain as a limited edition release. Designed as a fresher and more dynamic interpretation of the classic Vetiver, it is classified as a woody aromatic fragrance for men, highlighting bright, invigorating notes while retaining the elegance of the original composition.

• Top notes: orange, lime and bergamot 
• Middle notes: nutmeg, pepper and neroli 
• Base notes: tonka bean and vetiver

Vetiver et Camelia (1840) - The name translates as “Camellia and Vetiver.” A popular fragrance during the 19th century, it was created by several perfumers, including Pierre-François Pascal Guerlain, following a general structure of the time. Housed in the classic Carré flacon, this composition blended the delicate, ornamental charm of camellia with the earthy, green elegance of vetiver. Classified as a floral chypre fragrance for women, it offered a refined balance of floral beauty and grounded freshness, embodying the sophistication of early Guerlain creations.

• Top notes: bergamot, neroli, orange, coriander, pepper, lemon, mandarin, and linalool
• Middle notes: orange blossom, carnation, jasmine, ylang ylang, vetiver, rose, nutmeg, clary sage, orris, carnation, sandalwood
• Base notes: vanillin, tobacco, oakmoss, myrrh, olibanum, leather, civet, ambergris, tolu balsam

Vetiver Extrême (2007) – Translating to “Extreme Vetiver” in English, Vetiver Extrême was released in 2007 as a bold and intense interpretation of the classic Vetiver. Classified as a woody spicy fragrance for men, it emphasizes robust, earthy vetiver notes enriched with warm spices, creating a powerful and sophisticated aromatic profile.

• Top notes: artemisia, tarragon, bergamot, licorice, lemon
• Middle notes: nutmeg, pepper, frankincense
• Base notes: vetiver, tonka bean, cedar

Vetiver Pour Elle (2004) – Translating to “Vetiver for Her” in English, Vetiver Pour Elle was created by Jean-Paul Guerlain in 2004 as an exclusive limited edition for the French duty-free retailer Aelia. The fragrance was presented in a frosted flacon adorned with a delicate leaf motif and topped with the signature Bouchon Cœur stopper. The juice itself was colored a bright spring green, reflecting its fresh and lively character. This edition has since been discontinued.

• Top notes are orange blossom and bergamot
• Middle notes are honeysuckle, nutmeg and lily-of-the-valley
• Base notes are tonka bean and vetiver.

Vetiver Pour Elle (2007) – Translating to “Vetiver for Her” in English, Vetiver Pour Elle was reissued in 2007 as part of Guerlain’s Les Parisiennes line. Presented in the iconic white bee bottle, the 4.2 oz eau de toilette retailed for $255. Classified as a woody floral musk for women, it combined the elegance of vetiver with soft floral and musky nuances. This edition has since been discontinued. 

Vetiver Sport (2006) – Translating to “Sport Vetiver” in English, Vetiver Sport was released in 2006 as a fresh, energetic interpretation of the classic Vetiver. Classified as a spicy woody fragrance for men, it emphasizes dynamic, invigorating notes with warm spices and earthy vetiver, designed to evoke an active and modern masculine character.

• Top notes: bergamot and lemon 
• Middle notes: nutmeg and pepper 
• Base notes: tonka bean and vetiver

Violette (1836) – Translating to “Violet” in English, Violette was a popular 19th-century fragrance, created by several perfumers, including Pierre-François Pascal Guerlain, following a common compositional structure of the period. It remained available at least until 1879. Jacques Guerlain reformulated the fragrance twice, first in 1903 and again in 1936, adapting it to evolving tastes while preserving its delicate floral character. The exact date of its final discontinuation is unknown. Also sold under the name Violette Extract  (1899).

• Top notes: bergamot, cassie, almond
• Middle notes: jasmine, rose, ionone, orris
• Base notes: benzoin, musk, ambrette

Violette à Deux Sous (1890) – Translating to “Two-Penny Violet” in English, Violette à Deux Sous was a delicate violet soliflore fragrance with a vetiver base. It was originally presented in the Carré flacon in the late 19th century and later in the Louis XVI flacon (parfum) in 1902. Jacques Guerlain reformulated it in 1936, and it was still being sold in 1937. The exact date of its discontinuation remains unknown.

Violette Blanche (19th century) – Translating to “White Violet” in English, Violette Blanche was a popular 19th-century fragrance created by several perfumers, including Pierre-François Pascal Guerlain, following a common compositional structure of the period. Classified as a floral oriental for women, it combined the delicate, powdery sweetness of violet with subtle warm and resinous undertones. The exact date of its discontinuation is unknown.

• Top notes: phenylethyl alcohol, hyacinth 
• Middle notes: ylang ylang, jasmine, ionone, iris  
• Base notes: heliotropin, musk

Violette d’Alger (1879/1881) – Translating to “Violet of Algiers” in English, Violette d’Alger takes its name from the color and appearance of the Algerian iris rather than the Viola genus, as it is not a true violet. Launched around 1879–1881, the fragrance captures the soft, powdery floral character associated with violet-inspired scents, reflecting 19th-century tastes for elegant and naturalistic florals. It was housed in the Carre flacon (parfum).

Violette de Nice (19th century) – Translating to “Violet of Nice” in English, Violette de Nice was a popular 19th-century fragrance created by several perfumers, including Guerlain, following the typical compositional style of the period. It was housed in the Carre flacon (parfum). Classified as a floral chypre for women, it combined the soft, powdery sweetness of violet with the mossy, slightly earthy nuances characteristic of the chypre family. The exact date of its discontinuation is unknown.

• Top notes: orange blossom, cassie, violet, geranium
• Middle notes: violet, ionone, iris, rose, jasmine, ylang ylang
• Base notes: orris, musk, vanillin, vetiver, ambrette, ambergris

Violette de Parme (1890/1900) – Translating to “Parma Violet” in English, Violette de Parme was an extremely popular 19th-century fragrance, created by multiple perfumers, including Guerlain, following a common compositional structure of the period. Presented in the elegant Carré flacon (parfum), it is classified as a floral oriental for women, combining the soft, powdery sweetness of violet with warm, subtly resinous undertones. The exact date of its discontinuation is unknown.

• Top notes: neroli, orange, violet, bitter almond, cassie
• Middle notes: violet, ionone, rose, rhodium, jasmine, ylang ylang 
• Base notes: Indian hemp, orris, musk, benzoin, civet

Violette de Serre (1902) – Translating to “Greenhouse Violet” in English, Violette de Serre refers to the cultivated Parma violet, prized for its delicate and refined floral aroma. It was housed in the Carre flacon (parfum). Launched in 1902, the fragrance captures the soft, powdery sweetness characteristic of these greenhouse-grown violets, reflecting the 20th-century fascination with elegant, naturalistic floral compositions.

• Top notes: orange, violet
• Middle notes: violet, ionone, rose, jasmine, ylang ylang
• Base notes: orris, musk

Violette des Alpes (19th century) – Translating to “Violet of the Alps” in English, and also known as Mountain Violets, Violette des Alpes was a popular 19th-century fragrance created by multiple perfumers, including Guerlain, following a common compositional style. Presented in the elegant Carré flacon (parfum), it is classified as a powdery floral for women, capturing the soft, delicate, and slightly sweet character of alpine violets. The exact date of its discontinuation is unknown.

• Top notes: cassie, violet
• Middle notes: rose, violet, ionone, jasmine, ylang ylang
• Base notes: orris, musk, ambergris, bitter almond

Violette des Bois (1840) – Translating to “Violet of the Woods” in English, and also known as Spring Violets or Wood Violet, Violette des Bois was a very popular 19th-century fragrance created by multiple perfumers, including Guerlain, following a typical compositional structure of the period. Housed in the elegant Carré flacon (parfum), it is classified as a floral oriental for women, combining the delicate sweetness of violet with warm, subtly resinous undertones. The exact date of its discontinuation is unknown.

• Top notes: bergamot, lemon, cassie, violet, lignaloe 
• Middle notes: violet, ionone, rose, jasmine, tuberose, orris
• Base notes: coumarin, benzoin, musk, vanillin, bitter almond, ambergris

Violette Meurtrie (19th century) – Translating to “Bruised Violet” in English, Violette Meurtrie was a 19th-century fragrance presented in the elegant Carré flacon (parfum). The perfume captured the soft, delicate, and slightly melancholic character associated with violet notes. The exact date of its discontinuation is unknown.

Violette Qui Embaume (1904) – Translating to “Violet That Perfumes” in English, Violette Qui Embaume, also sometimes written as Violette Qu’Embaume, was created by Jacques Guerlain in 1904. Presented in the elegant Carré flacon (parfum), it was a feminine violet soliflore fragrance with a vetiver base, combining soft floral notes with subtle earthy undertones. The exact date of its discontinuation is unknown.

Violette Russe (19th century) – Translating to “Russian Violet” in English, Violette Russe was a popular 19th-century fragrance created by several perfumers, including Guerlain, following a common compositional structure of the period. Presented in the elegant Carré flacon (parfum), it captured the soft, powdery sweetness of violet, reflecting the refined floral tastes of the era. The exact date of its discontinuation is unknown.

• Top notes: orange, violet
• Middle notes: violet, ionone, rose, jasmine, ylang ylang
• Base notes: orris

Voilà Pourquoi J’Aimais Rosine (1863) – Translating to “This Is Why I Loved Rosine” in English, Voilà Pourquoi J’Aimais Rosine was created by Aimé Guerlain in 1863 and later reorchestrated by Jacques Guerlain for a new presentation at the 1900 Universal Exhibition. From that year, it was housed in the elegant Fleuri flacon (parfum). Classified as a powdery floral for women with a leathery chypre base, the fragrance blends lily, iris, ylang-ylang, patchouli, and woody notes, offering a refined and sophisticated aromatic profile.

• Top notes: bergamot, lemon, lavender, leather, lily
• Middle notes: jasmine, ylang ylang, rose, vanilla, cinnamon, marjoram, patchouli
• Base notes: sandalwood, rose, oakmoss, orris

Voile d’Été (199X) – Translating to “Summer Veil” in English, Voile d’Été was created by Mathilde Laurent, inspired by the vintage formula of Quand Vient l’Été by Jacques Guerlain. It was later renamed No. 25 and relaunched in 2002 before being discontinued. In 2005, the fragrance was reintroduced under its original name, Quand Vient l’Été, as part of the Les Parisiennes line, with a slight reformulation to enhance the ylang-ylang and lily notes. Classified as a floral oriental for women, it combines soft, radiant florals with warm, subtly exotic undertones.

• Top notes: bergamot, pear and mint
• Middle notes: jasmine, lily, rose, carnation, heliotrope, ylang ylang
• Base notes: vanilla, iris

Voile de Poudre (Powdery Softness) – Translating to “Veil of Powder” in English, Voile de Poudre was launched prior to 2010 and is distinguished by its pronounced violet scent. The Voile de Poudre Home Ambience Spray was a special gift from Guerlain to customers, never made available for public sale. Designed to be sprayed on fabrics, such as pillows and sheets, it could also be used as a room spray, allowing the soft, powdery fragrance to fill living spaces with a subtle, floral elegance.

Voilette de Madame (1901/1904) – Translating to “Madame’s Veil” in English, Voilette de Madame was created by Jacques Guerlain, originally as a wedding gift for his friends in 1901, serving as a counterpart to Mouchoir de Monsieur. The perfume was released to the public in France in 1902 and in the USA in 1904, remaining available at least until 1956. Presented in the iconic Escargot “snail” flacon, it is classified as a powdery, musky floral fougère for women. The composition blends iris, ylang-ylang, narcissus, lilac, violet, civet, opoponax, vanilla, tonka bean, and sandalwood, with a drydown featuring the signature Guerlinade accord over an animalic base.

• Top notes: violet, geranium, bergamot, narcissus,lilac, and verbena
• Middle notes: jasmine, rose, orange blossom, ylang ylang, ambergris, clove, sweet acacia, musk
• Base notes: opoponax, vanilla, sandalwood, orris, oakmoss, tonka bean

Voilette de Madame (2005) – Translating to “Madame’s Veil” in English, Voilette de Madame was reformulated and reissued in 2005 as a limited edition eau de toilette. Presented in a faithful replica of the original Escargot “snail” bottle, it is classified as a chypre-fougère for women, retaining the refined floral and powdery character of the historic fragrance while offering a modernized interpretation. Only 285 examples were created. 

• Top notes: violet, narcissus, geranium, neroli, cassia flower, bergamot
• Middle notes: lilac, ylang ylang, rose, jasmine, iris, orange blossom
• Base notes: sandalwood, vanilla, orris, tonka bean, opoponax, civet, oakmoss

Volcameria (c.1853) – Translating roughly to “Volkameria” in English, Volcameria was a popular 19th-century fragrance created by multiple perfumers, including Guerlain, following a typical compositional structure of the period. Presented in the elegant Carré flacon (parfum), it is classified as a rich floral oriental for women, blending opulent floral notes with warm, subtly resinous and exotic undertones. The fragrance remained available at least until 1872, though the exact date of its discontinuation is unknown.

• Top notes: bergamot, bigarade, Portugal sweet orange, orange blossom, hawthorn, hyacinth
• Middle notes: violet, ionone, iris, tuberose, rose, jasmine
• Base notes: benzoin, civet, musk, vanilla, tolu balsa, styrax, storax, ambergris, ambrette

Vol de Nuit (1933) – Translating to “Night Flight” in English, Vol de Nuit was created by Jacques Guerlain and named after Antoine de Saint-Exupéry’s novel Night Flight, evoking the romance and daring of early aviation. The fragrance has a longstanding connection with the French Air Force; each year, the Air Force College at Salon-de-Provence orders Vol de Nuit in presentation boxes adorned with the French Wings emblem, distributed by cadets during official visits abroad. Classified as an oriental chypre for women, it has been presented over the years in multiple flacon designs, including the Rayonnant (parfum), Goutte (eau de toilette), Montre (eau de cologne), Bourne (parfum), Guerre (parfum), Quadrilobe (parfum), as well as various spray bottles. An Eau de Cologne edition was released in 1963.

• Top notes: aldehydes, orange, orange blossom, mandarin, lemon, bergamot, galbanum and petit grain
• Middle notes: rosewood, carnation, palmarosa, violet, narcissus, ylang ylang, jasmine, daffodil and spices
• Base notes: benzoin, Peru balsam, leather, musk, orris, oakmoss, iris, vanilla, ambergris and sandalwood

 

Vol de Nuit vintage version (1989) is classified as a sweet oriental fragrance for women. It begins with a fresh orange top, followed by an exotic floral heart, resting on a sweet balsamic powdery base. This bold and adventurous woody and spicy fragrance is offset with hints of vanilla, jonquil, wood and spices.

• Top notes: orange, bergamot, lemon, mandarin, orange blossom
• Middle notes: jonquil, rosewood, jasmine, palmarosa, ylang ylang
• Base notes: vanilla, benzoin, Peru balsam, musk, ambergris, sandalwood, leather

Vol De Nuit Eau De Toilette (2021) a reformulation. It is classified as a floral amber fragrance for women.

• Top notes are galbanum, bergamot and petitgrain
• Middle notes are narcissus, spices and jasmine
• Base notes are iris, vanilla, woody notes, patchouli and amber

Vol de Nuit Évasion (2007) – Translating to “Night Flight Escape” in English, Vol de Nuit Évasion was launched in 2007 in collaboration with Alea, the airport duty-free shop chain, and was available exclusively at Alea stores in France and Great Britain, as well as at Guerlain boutiques. Presented as a 50 ml Eau de Toilette, it retailed for $65. The fragrance is housed in the Bouchon Cœur flacon, with a stopper shaped like an upside-down heart, and packaged in a blue box adorned with a propeller motif creating an optical illusion. Classified as an ambery floral for women, it does not resemble the original Vol de Nuit; rather, it evokes a sophisticated, lighter interpretation of Attrape Cœur, as it is essentially the Eau de Toilette version of that fragrance.

• Top notes: peach, raspberry, bergamot 
• Middle notes: violet, iris, rose, jasmine, and tuberose, cinnamon 
• Base notes: amber, vanilla, orris, tonka bean, sandalwood, oakmoss, leather, patchouli

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West End, Bouquet de (1838) – Translating to “Bouquet of the West End” in English, Bouquet de West End was a popular 19th-century fragrance created by multiple perfumers, including Guerlain, following a typical compositional structure of the period. Presented in the elegant Carré flacon (parfum), it is classified as a floral oriental for women. In 1839, La Mode praised its international appeal, noting that English families flocked to Guerlain for his creations, including Bouquet Victoria and Essence of West End, highlighting the fragrance’s reputation for elegance and refinement among high society in London as well as Paris.

• Top notes: bergamot, neroli, limette, cassie, rose geraniol, verbena, benzoic acid
• Middle notes: lavender, orange blossom, rose, tuberose, jasmine, ylang ylang, orris
• Base notes: bitter almond, cloves, musk, storax, civet, ambergris, cedar, tonka bean, sandalwood, benzoin

White Rose (1877) – Translating to “White Rose” in English, White Rose was a popular 19th-century fragrance created by multiple perfumers, including Guerlain, following the typical compositional style of the period. It was presented in the elegant Carré flacon (parfum) and was later discontinued, with the exact date unknown. The fragrance was relaunched in 1904, likely incorporating newly discovered synthetic ingredients, and by the 1920s, sparkling aldehydes were added to enhance its brightness. Evoking the scent of freshly picked roses from an English garden, later versions included green accords and aldehydes to round out the floral bouquet with added freshness and vibrancy.

• Top notes: aldehydes, green accord, rose absolute, Bourbon geranium, cassie
• Middle notes: clove, carnation, lilac, hyacinth, heliotrope, rose oil
• Base notes: patchouli, musk, orris, oakmoss

Wild Flowers of America (19th century) – Translating to “Wild Flowers of America” in English, Wild Flowers of America was a popular 19th-century fragrance inspired by the widely admired “wild flowers” scent. Created by multiple perfumers, including Guerlain, it followed the typical compositional style of the period. The perfume was presented in the elegant Carré flacon (parfum) and is classified as a delicate floral fragrance. The exact date of its discontinuation is unknown.

• Top notes: neroli petale, limette, petitgrain, citron, orange blossom, cassia
• Middle notes: rose, violet, jasmine, tuberose, clove, cinnamon, heliotropin, orris 
• Base notes: rose, musk, ambergris, vanilla, vanillin, tonka bean, sandalwood

With Love (2003) – Translating to “With Love” in English, With Love was created in 2003 by Jean-Paul Guerlain, Sylvaine Delacourte, and Christine Nagel as a limited edition fragrance. Likely discontinued around 2006, it was the first in a series of annual travel retail exclusives themed around love and romance, with a presentation designed to appeal to international travelers. The perfume was housed in a modified 50 ml Bouchon Cœur flacon, decorated with the word “Love” written in pink script in multiple languages across the bottle. Classified as a floral fragrance for women, it captures a soft, romantic character.

• Top notes: mandarin orange and lemon 
• Middle notes: lily and freesia 
• Base notes: sandalwood, musk and cedar

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X i'An (2021) – Created in 2021 by Thierry Wasser. Launched exclusively in Xi'an, China, it was inspired by the city's rich cultural heritage and natural beauty. Classified as a green floral fragrance for women and men, it combines fresh, vibrant green notes with delicate floral nuances, offering a modern, unisex scent that balances brightness and elegance.

• Top notes: bamboo, lily of the valley 
• Middle notes: gardenia, tuberose, jasmine 
• Base notes: sandalwood, white musk

Y:

Yacht Club Bouquet (19th century) – Yacht Club Bouquet or Yacht Club Nosegay, was a popular 19th-century fragrance created by multiple perfumers, including Guerlain, following the typical compositional structure of the period. Presented in the elegant Carré flacon (parfum), it is classified as a floral oriental fragrance, combining refined floral notes with warm, subtly exotic undertones. The exact date of its discontinuation is unknown.

• Top notes: orange blossom, neroli, cassie
• Middle notes:  jasmine, rose, benzoic acid
• Base notes: sandalwood, vanilla, benzoin

Yerbena (19th century) – Yerbena was a 19th-century fragrance crafted from yerba mate and verbena, combining the fresh, green, and slightly herbal character of these botanicals. The perfume exemplifies the period’s taste for naturalistic, aromatic compositions, offering a bright and invigorating scent profile.

Ylang Ylang (c.1840) – Ylang Ylang was a popular 19th-century fragrance created by multiple perfumers, including Guerlain, following the typical compositional structure of the period. Presented in the elegant Carré flacon (parfum), it highlighted the exotic, sweet, and floral aroma of the ylang-ylang flower. The fragrance remained available at least until 1879, though the exact date of its discontinuation is unknown.

• Top notes: bergamot, neroli, sweet orange, cassie, pimento, cananga, angelica, bitter almond
• Middle notes: jasmine, tuberose, violet, orange blossom, rose, rose geranium, Manila ylang ylang, orris, isoeugenol
• Base notes: benzoin, vanilla, vanillin, musk, civet, tonka bean, coumarin, ambergris, ambrette, frankincense, myrrh, tolu balsam, balsam of Peru

 

Young Princess (1890/1900) – Translating to “Young Princess” in English, Young Princess was created by Guerlain during the late 19th century, reflecting the house’s reputation for crafting perfumes for royalty. By naming the fragrance Young Princess, Guerlain offered every woman the opportunity to experience a sense of elegance and nobility, allowing the wearer to feel like a princess for a day. The scent exemplified the refined floral compositions popular during the period.

Ypana (19th century) - Another name for the Guerlain perfume Ayapana (1836) – The name likely refers to the ayapana plant, a tropical herb known for its aromatic leaves. A popular fragrance during the 19th century, it was created by many perfumers including Pierre-François Pascal Guerlain, following a general floral-oriental structure. Housed in the signature Carré flacon, it remained in circulation for decades, still being sold in 1877, though the exact discontinuation date is unknown.

Yssim (19th century) – Housed in the Carre flacon (parfum). The name is “Missy” spelled backwards and was given to this perfume in honor of YSSIM (Madame la Marquise de Belbeuf, née de Morny). Born in Paris in 1863, she was the daughter of the Duke of Morny, friend and President of the Council of Ministers under Napoleon III (1815–1865). Passionate about sculpture from a young age, she created terracotta works and portraits under the guidance of a relative and later studied with Darbefeuille. Exhibiting under the pseudonym Yssim at the Salon des Champs-Élysées in 1888, she presented a portrait bust of M. Y…, acclaimed for both its technical quality and her artistic personality. Though she ceased public exhibitions thereafter, she continued producing marble portraits admired for their likenesses, including those of M. Calmann-Lévy, M. Da Costa-Saraiva, Mme Suzanne Derval (1900), and the Marquis Francica (1901). The perfume was housed in the elegant Carré flacon (parfum).

Z: