Thursday, October 2, 2014

Santal Royal c2014

Santal Royal by Guerlain, launched in 2014, marked a significant moment in the house’s history. Released as part of the Les Absolus d’Orient Collection, it was unveiled in tandem with the opening of the opulent Salon de Parfums at Harrods in London on October 16, 2014. This exclusive setting framed the fragrance as both a celebration of Guerlain’s craftsmanship and a tribute to the East, a region long romanticized in perfumery for its precious, exotic raw materials.

The name “Santal Royal” comes from French—santal meaning sandalwood and royal meaning regal or kingly. Pronounced as “Sahn-tahl Rwah-yal,” the name itself evokes nobility and grandeur. It suggests a perfume designed not just to adorn but to crown the wearer, cloaking them in a scent as luxurious and timeless as a velvet robe. The imagery it conjures is rich: golden palaces, ancient forests, perfumed resins smoldering in the air, and the quiet authority of something rare and enduring.

The cultural backdrop of its launch also plays an important role. The mid-2010s were characterized by an international fascination with Middle Eastern luxury and a surge of oud-based and oriental fragrances across Western markets. This was a period of globalization in perfumery, where Western houses increasingly sought inspiration from Arabian traditions of perfumed oils, woods, and resins. Fashion itself leaned toward opulence—velvet, embroidery, metallic finishes, and jewel tones dominated runways—perfectly harmonizing with a fragrance dressed in the language of richness and sensuality. Against this backdrop, women encountering Santal Royal would have viewed it as a scent of prestige and indulgence, a fragrance that transformed sandalwood from a sacred, meditative material into a modern luxury.

 

Thierry Wasser described the creation as an homage to his travels and the raw materials that captivated him most. In this case, it was sandalwood—specifically chosen for its ability to be both sacred and sensual. The fragrance opens with neroli and cinnamon, a sparkling yet spicy introduction that balances citrus brightness with warmth. At its heart lies the opulent duo of rose and sandalwood. The rose, luminous and eternal in Guerlain’s heritage, is deepened by the creamy, resinous power of sandalwood, giving it gravity and depth. The base, composed of leather, agarwood (oud), amber, and musk, creates a powerful, smoldering trail—at once mysterious, resinous, and animalic—anchoring the ethereal opening in dark sensuality.

In comparison to other fragrances of the time, Santal Royal was both timely and distinctive. It reflected the broader trend of oriental-oud compositions, which were enjoying immense popularity, but Wasser’s treatment of sandalwood—paired with Guerlain’s signature rose and wrapped in smoky leather—gave the perfume a refinement that set it apart from the more straightforward oud-heavy offerings saturating the market.

Interestingly, Guerlain’s Santal Royal was not the only fragrance of its name in 2014. Robert Piguet had also launched a Santal Royal earlier that July, a composition blending rose, nutmeg, sandalwood, iris, leather, and tonka bean, available at select luxury retailers including Harrods. The coincidence underscores the competitive environment of the time, where sandalwood reemerged as one of the most coveted raw materials and became a touchstone for perfumers seeking to marry tradition with modern sensuality.

For Guerlain, however, Santal Royal was more than a nod to fashion—it was a statement of heritage and prestige, a reminder that the house could translate the allure of the Orient into something uniquely Guerlain: elegant, mysterious, and unforgettable.




Fragrance Composition:


So what does smell like? Santal Royal by Guerlain is classified as a leathery oriental fragrance.
  • Top notes: neroli, cinnamon
  • Middle notes: rose, sandalwood
  • Base notes: leather, oud, ambergris and musk
 

Scent Profile:


From the very first breath, Santal Royal opens like a dramatic curtain rise. The air is immediately filled with the bright radiance of neroli, the bitter-orange blossom distilled into an essence that carries both citrus sparkle and a honeyed floral sweetness. Neroli from Tunisia or Morocco is considered the most prized, bursting with natural molecules such as linalool and neral, which lend it a balance of freshness and floral warmth. In this composition, it shines like a shaft of sunlight, pure and invigorating, but softened by a velvety undertone. Almost immediately, it entwines with the sultry cinnamon—spicy, warm, and faintly woody. Cinnamon bark oil, rich in cinnamaldehyde, adds a fiery accent that contrasts beautifully with neroli’s freshness. The effect is a vibrant dance: the citrus-bright light of neroli streaking through the sensual heat of spice.

As the fragrance deepens, the heart unfurls into Guerlain’s most beloved material: the rose. The rose here is lush, velvety, and timeless, a blend of Bulgarian richness and perhaps a whisper of Turkish dewiness. The natural rose oil contains citronellol and geraniol, molecules that provide both its lemony brightness and plush floral body. But rose is not left alone; it is cradled by sandalwood, the star material that inspired the creation of Santal Royal. This sandalwood, very likely the creamy and precious Mysore variety from India, is famed for its milky, sacred warmth—an essence filled with santalol molecules that exude a soft, buttery richness unmatched by other woods. Where roses give passion and romance, sandalwood anchors with meditative calm, evoking both the sacred temples of the East and the private intimacy of skin warmed by the sun. Together, they create a heart that feels like silk—sensual, spiritual, and enveloping.

Then comes the base, a slow and powerful crescendo. Leather enters first, smoky and tactile, a note that feels worn-in, supple, and animalic. In perfumery, leather effects are often built with birch tar and labdanum, giving the impression of a well-loved saddle or a luxurious glove. It lends Santal Royal its dramatic, nocturnal tone. Threaded into this leather is the deep, resinous mystery of agarwood (oud)—one of the most treasured and complex materials in perfumery. True oud, formed when Aquilaria trees produce a dark resin in response to infection, is earthy, smoky, and slightly medicinal, with natural molecules like agarol and sesquiterpenes creating its haunting depth. Here, the oud adds shadow and gravitas, amplifying the sandalwood’s creaminess with its own enigmatic growl.

Supporting these darker tones are ambergris and musk. Ambergris, once found floating in the ocean after years of maturation, lends a salty, mineral warmth with a subtle sweetness that diffuses like sunlight over the sea. Its molecular makeup, rich in ambrein, adds both fixative power and an animalic smoothness. Musk, whether from natural sources in the past or today’s sophisticated synthetic musks, softens the edges, wrapping the composition in a skin-like warmth that clings and radiates. It is this musky glow that transforms the dramatic shadows of oud and leather into something irresistibly sensual.

Altogether, Santal Royal smells like a story unfolding in layers: the brightness of neroli and spice as an opening invitation, the romantic embrace of rose and sandalwood at its heart, and a base of leather, oud, ambergris, and musk that lingers like an echo in memory. It is both sacred and seductive, regal yet intimate—a perfume that makes sandalwood not only the soul of the fragrance but also its throne.



Bottle:



When Santal Royal was introduced, Guerlain ensured that the fragrance would be as visually striking as it was olfactory. Released in an unusually generous 155 ml Eau de Parfum, it was made available exclusively through Harrods, retailing at £125—a detail that underscored both its rarity and its positioning within the most refined tier of Guerlain’s offerings. The launch coincided with the opening of the Salon de Parfums at Harrods, a temple to luxury fragrance where only the most exclusive creations would reside. By aligning Santal Royal with this milestone, Guerlain reinforced the fragrance’s status as both celebratory and emblematic of the house’s heritage.

The presentation was no less remarkable than the scent itself. Guerlain turned to its iconic bee bottle, a design that dates back to 1853, when Pierre-François-Pascal Guerlain created it for Eau de Cologne Impériale in honor of Empress Eugénie. Yet for Santal Royal, the bee bottle was modified, distinguished from its traditional clear glass incarnation. Instead, the flacon was cast in a deep, jet black lacquer, lending it both mystery and majesty. The darkness of the bottle was offset by a gilded cap and a gold-embossed label, details that elevated the design into something regal and unmistakably opulent.

What made this choice especially intriguing is that this version of the bee bottle was more commonly associated with the Aqua Allegoria eau de toilettes and Guerlain’s lighter fabric fragrances such as Eau de Cashmere and Eau de Lit—lines designed for delicacy and freshness. By reimagining that familiar vessel in black and gold, Guerlain created a striking visual paradox: a shape associated with airy, luminous scents transformed into a container for a rich, leathery oriental composition. This deliberate tension between tradition and transformation mirrored the fragrance itself, where a luminous opening of neroli and spice gives way to the deep mystery of sandalwood, oud, and leather.

The result was a perfume not only worthy of its royal name, but also a work of art in presentation. The bottle, glinting black and gold, stood as a jewel on the counter, embodying the grandeur of Guerlain’s history while marking a bold step into the modern world of Middle Eastern-inspired perfumery.





Fate of the Fragrance:


Santal Royal has had a fascinating journey within Guerlain’s portfolio. Originally launched in 2014 as part of the Les Absolus d’Orient Collection, the fragrance was quietly discontinued at an unknown date, leaving collectors and devoted wearers to speculate about its fate. For years, bottles of the original release—housed in its striking jet-black bee bottle—were prized as rarities, often circulating only through secondary markets. Its disappearance reflected both the shifting demands of Guerlain’s clientele and the evolving direction of the house’s luxury perfume collections.

In 2024, however, Santal Royal returned in a new chapter, reformulated and relaunched under the Absolus Allegoria Collection. This marked an important reimagining, bridging the historical grandeur of the Absolus d’Orient line with the more contemporary and globally resonant identity of the Allegoria range. Guerlain entrusted its master perfumer, Thierry Wasser, once again to reinterpret the composition. Wasser, known for his sensitivity to natural raw materials and for weaving modernity into Guerlain’s traditions, revisited the structure of Santal Royal to ensure it retained its distinctive, leathery oriental character while aligning with the fresh identity of the Absolus Allegoria line.

The relaunch not only reaffirmed Guerlain’s enduring fascination with sandalwood—a material steeped in both spirituality and sensuality—but also reflected the house’s ability to adapt its storytelling to new audiences. Where the 2014 version had been steeped in opulence and exclusivity, its 2024 incarnation was presented with a more universal, luminous approach, connecting to the Allegoria tradition of celebrating nature and travel through refined raw ingredients.


Fragrance Composition:


So what does it smell like? The 2024 version of Santal Royal is classified as a woody oriental fragrance for women and men. 
  • Top notes: rose
  • Middle notes: jasmine, sandalwood
  • Base notes: leather, oud

Scent Profile:


Santal Royal (2024, Absolus Allegoria Collection) is an exquisite woody oriental fragrance that unfolds like a journey through a sun-drenched, exotic garden intertwined with the warmth of rare woods and the depth of precious resins.

At first inhale, the rose top note rises immediately, bright and radiant, reminiscent of early morning petals glistening with dew. This rose, likely sourced from the celebrated fields of Bulgaria or Turkey, brings a duality of aroma: a delicate, soft floral sweetness balanced by a subtle green, almost tea-like facet. The natural aldehydes and phenolic compounds within the petals give the rose its characteristic sparkling freshness, which is further enhanced by carefully calibrated synthetics that lift the floral brightness without making it linear, adding a modern clarity to the classic scent.

As the fragrance develops, the heart notes of jasmine and sandalwood emerge, weaving together floral opulence and creamy woodiness. The jasmine, perhaps the noble Jasminum grandiflorum from Calabria, Italy, offers rich, honeyed sweetness with soft fruity undertones and indolic depth, a sensuality that speaks to Guerlain’s heritage of floral mastery. Interlaced with it, the sandalwood provides a luxuriously smooth, velvety warmth. High-quality Indian Mysore sandalwood—renowned for its buttery, milky facets and long-lasting creaminess—imbues the perfume with an enveloping, almost meditative aura. Its lactones and sesquiterpenes lend a soft woody sweetness that harmonizes exquisitely with the jasmine, while trace synthetics subtly amplify the projection and longevity without disrupting the natural elegance of the wood.

The base notes of leather and oud anchor the composition in a deep, resinous intensity. The oud, sourced from agarwood trees, carries resinous balsamic richness with subtle facets of incense, smoke, and spice—depending on the terroir, often Cambodian or Laotian varieties prized for their smooth, sweet, and slightly fruity facets. The leather note provides an animalic, supple dimension, evoking the scent of hand-tanned, sun-warmed leather. Together, these base elements create a lingering, enveloping aura, a woody oriental foundation that is both sophisticated and powerful. The interplay of oud’s natural resins and synthetically refined leather accords ensures the scent retains depth and clarity, enhancing both projection and longevity.

Overall, Santal Royal (2024) is a masterful balance of floral elegance and woody oriental richness. It begins with a radiant, sparkling rose, deepens into a creamy heart of jasmine and sandalwood, and finally settles into a smoky, leathery, oud-laden finish. Every ingredient is showcased with precision, respecting its natural character while benefitting from modern enhancements that provide intensity, persistence, and an unmistakable aura of luxury and refinement.


Bottle:





L’Envolée - Bee Bottle 160 Year Anniversary c2013

L’Envolée—translated as “The Flight”—was one of the most poetic and sculptural interpretations created in 2013 to celebrate the 160th anniversary of Guerlain’s iconic bee bottle. For this ambitious project, Guerlain invited nine Maîtres d’art of the Institut National des Métiers d’Art to reinvent the legendary flacon, granting them complete freedom of expression. Among these, Etienne Rayssac, a master woodcarver renowned for his work on both historical monuments and contemporary design, created a piece that seems to defy gravity itself.

Rayssac, known for his precision in carving and his ability to marry decorative craftsmanship with architectural vision, began his work with sketches and plaster prototypes before shaping the final piece in pale sycamore wood. The result is a breathtaking dialogue between solidity and airiness: a sculpted sheath of wood partially envelops the one-litre bee bottle, cradling it yet allowing it to appear as though it is suspended mid-flight. The smooth curves and dips of the design create an impression of movement, like air currents lifting the bottle into motion.

 

Every line of L’Envolée reveals the artistry of handcraft—chisels and scrapers were used to alternate flowing volumes with sharply defined edges. This interplay of curves and angles allows light to dance across the surface, amplifying the sensation of energy and levitation. The natural warmth and delicacy of the sycamore wood adds an organic softness that contrasts beautifully with the bottle’s glass brilliance, enhancing its aura of refinement.

In its final form, L’Envolée becomes more than a case or sculpture—it is a metaphor for Guerlain’s spirit of elevation and timeless innovation. By enveloping the bee bottle in this delicate wooden drapery, Rayssac captures both the strength and fragility of flight, suggesting a moment of grace where perfume, craft, and imagination take wing together. It is a piece that not only celebrates Guerlain’s heritage but also embodies the eternal lightness of creation itself.

Wednesday, September 24, 2014

L’Oeuf Surprise - Bee Bottle 160 Year Anniversary c2013

L’Œuf Surprise stands as a masterful testament to Guerlain’s 160-year legacy of creativity and craftsmanship, conceived as part of the 2013 celebrations for the iconic Abeille flacon. The project brought together nine of France’s most esteemed Maîtres d’art from the Institut National des Métiers d’Art, granting them complete artistic freedom to create one-of-a-kind interpretations centered on a monumental one-litre Bee bottle. The result is an extraordinary series of objects that transcend perfume display to become collectible works of fine art.

Crafted by Fabrice Gohard, a Maître d’art of the 2010 class and a highly accomplished ornamental gilder, L’Œuf Surprise is a radiant homage to historical grandeur. Gohard’s expertise in water and oil gilding—evident on landmarks like the Château de Versailles, the Invalides dome, and even the flame of the Statue of Liberty—is here translated into a delicate blown-glass egg, its surface shimmering with gold-leaf accents that suggest the fragile brilliance of an eggshell just split open. This luxurious form evokes a sense of birth and transformation, echoing the imperial imagery of Empress Eugénie, whose elegance and sophistication inspired Guerlain for generations



 The egg opens to reveal the one-litre Bee bottle nestled within, illuminated by the reflective glow of gilded surfaces. Inside the shell, a painted floral design adds an intimate, hidden layer of beauty, rewarding the most inquisitive observer with delicate artistry that speaks to femininity, refinement, and secrecy. The effect is simultaneously majestic and intimate, a private treasure housed within a public symbol of craftsmanship.

L’Œuf Surprise was displayed at the Maison Guerlain on the Champs-Élysées from December 10, 2013, to February 14, 2014, and further celebrated through Guerlain’s Exclusive Line Doors via photo and video exhibitions. Each of the nine unique creations was offered for sale to benefit the Maîtres d’art – Students project, an initiative designed to preserve and pass down exceptional artisanal skills to apprentices under the supervision of the Institut National des Métiers d’Art (INMA). In every detail, from gilding to glasswork, this creation embodies both Guerlain’s dedication to artistic excellence and the timeless allure of perfume as an art form.

Tuesday, September 23, 2014

Delft Style Refillable Atomizers c1965-1982

Starting in 1965, Guerlain introduced a novel refillable atomizer system for its most popular fragrances, combining convenience with elegance. These atomizers consisted of a cylindrical metal case housing a glass spray vial, which could be easily replaced when the perfume was finished. The system was offered in two sizes: 0.25 oz for Extrait de Parfum and 3 fl. oz for Eau de Toilette, catering both to collectors and to those who preferred a more portable or travel-friendly option.


One of the most recognizable variations was the atomizer used for Shalimar, L’Heure Bleue, Jicky, Chamade, Vol de Nuit, and Mitsouko. Launched in 1968, the metal cases were enameled with blue-and-white Oriental designs inspired by Delft porcelain, a copyrighted motif that added a touch of artistry and luxury to everyday use. The combination of practical functionality with decorative beauty reflected Guerlain’s commitment to both presentation and craftsmanship.





By 1971, Guerlain expanded this concept to other fragrances, introducing atomizers that echoed the motifs found on their respective presentation boxes. For example, Parure featured a turquoise-inlaid effect, L’Heure Bleue displayed parquet hunting scenes, Nahema incorporated a red and orange tulip motif, Chant d’Arômes was elegantly white-enameled, and Eau de Cologne Impériale Extra Dry showcased a distinctive scale design. These variations allowed each atomizer to complement the character of its fragrance, turning the refillable container into both a functional accessory and a miniature work of art.





Scents:

  • Chamade
  • Chant d’Arômes
  • Eau de Cologne Impériale Extra Dry
  • Jicky
  • L’Heure Bleue
  • Mitsouko 
  • Nahema
  • Parure 
  • Shalimar
  • Vol de Nuit
 


  • #1. Parure
  • #2. Eau Imperiale
  • #3. Chant D'Aromes
  • #4. Shalimar, Jicky, L'Heure Bleue, Chamade and Mitsouko
  • #5. Nahema

Sunday, September 14, 2014

L'Habit de Fete - Bee Bottle 160 Year Anniversary 2013

L’Habit de Fête stands as a resplendent tribute to Guerlain’s 160-year legacy and the iconic Abeille flacon. Created in 2013 as part of a special series celebrating this milestone, the piece is a collaboration with nine of France’s most esteemed Maîtres d’art, each given full freedom to interpret the Bee bottle as a work of unparalleled artistry. Among them, Sylvie Deschamps, a master of luxurious gold thread embroidery, brought her meticulous craft to life by designing an exquisite haute couture “party dress” to envelop the one-litre bottle. The result is a breathtaking combination of couture, craftsmanship, and storytelling, where every stitch and embellishment conveys both history and celebration.

 

The bottle’s covering is fashioned as an imperial coronation robe, a symbolic gesture highlighting grandeur, ceremony, and festivity. Raised patterns of festoons and sixty-nine bees are rendered in 24-carat varnished gold cannetille thread on a sheer white organza sheath, their lustrous surfaces capturing and reflecting light in subtle, jewel-like flashes. The bees’ wings are gilded with gold leaf, and fine gold powder is delicately sprinkled between them to mimic the shimmering pollen of a flowering meadow, creating a sense of life and movement. The embroidered label follows heraldic tradition, featuring an imperial crown and bee atop a shield, crossed swords beneath, and twin dates marking the 160th anniversary—a meticulous interplay of history and artistry.

The stopper, dressed in the same ethereal organza, is embroidered with a majestic Queen Bee, a regal figure presiding over the composition with dignity and authority. Even the neck of the bottle is encased in gold thread, meticulously applied by the Guerlain “Dames de Tables” craftswomen, connecting centuries-old techniques with contemporary design sensibilities. On display at the Maison Guerlain on the Champs-Élysées from December 2013 to February 2014, L’Habit de Fête was also highlighted in Guerlain’s Exclusive Line Doors photo and video exhibitions, illustrating the House’s dedication to craftsmanship, heritage, and innovation.

This creation transforms the Bee bottle into a luxurious artifact, where the tactile richness of embroidery, the radiance of gold, and the symbolic iconography combine to evoke celebration, opulence, and the timeless beauty of Guerlain’s legacy. L’Habit de Fête is not merely a perfume vessel but a masterful union of haute couture and artisan skill, embodying both the spirit of festivity and the artistry of French craftsmanship.

 




 

Le Theatre - Bee Bottle 160 Year Anniversary c2013

Le Théâtre is a remarkable celebration of Guerlain’s 160-year heritage and the enduring elegance of the Abeille flacon. Created in 2013 as part of a series of exceptional presentations, it exemplifies the fusion of craftsmanship, artistry, and perfume culture that has long defined the House of Guerlain. For this project, nine of France’s most accomplished Maîtres d’art from the Institut National des Métiers d’Art were invited to create original works centered around a monumental one-litre Bee bottle, each artist given complete freedom to express their vision. The resulting pieces are extraordinary, one-of-a-kind masterpieces that elevate the perfume bottle to a sculptural and decorative work of art.

Crafted by Lison de Caunes, a Maître d’art of the 1998 class and granddaughter of renowned interior designer André Groult, Le Théâtre showcases her mastery of straw marquetry, a delicate and refined technique rarely seen in modern design. De Caunes has applied this centuries-old art form to a wooden shrine shaped in the silhouette of the iconic Bee bottle. In place of a traditional label, an opening suggests the proscenium of a classic theatre, inviting the eye into a stage of luxurious craftsmanship. The exterior is adorned in Empire blue straw, accented with stylized bees in embossed yellow straw, while a complementary version features yellow gold chiselled with blue festoons. Both finishes are carefully waxed, enhancing the natural shimmer of the materials and providing a luminous, tactile quality that seems to dance with the light.


Inside, the bottle is illuminated, highlighting the subtle, natural gleam of the straw marquetry and giving the piece an almost theatrical glow. The combination of light, color, and intricate patterning transforms the Bee bottle into a miniature stage, where artistry and scent meet in perfect harmony. Le Théâtre was displayed at the Maison Guerlain on the Champs-Élysées from December 10, 2013, to February 14, 2014, and further documented in Guerlain’s Exclusive Line Doors photo and video exhibitions. Each creation in this series was made available for sale to support the Maîtres d’art – Students project, an initiative aimed at preserving rare artisanal skills by enabling master artists to mentor apprentices under the guidance of the INMA.

Through its meticulous craftsmanship and inventive design, Le Théâtre is not just a tribute to perfume, but a celebration of the artistry, heritage, and technical skill that define Guerlain’s legacy. The marriage of straw marquetry, woodwork, and light captures both the elegance of 18th-century techniques and the imaginative spirit of contemporary artistry, making it a true theatrical experience for the eyes and the imagination.

 

 

Saturday, September 13, 2014

La Petite Robe Noire - Exceptional Flacon 2014

La Petite Robe Noire – Exceptional Limited Edition Collector’s Bottle, Christmas 2014 is a true masterpiece of luxury and artistry, transforming Guerlain’s iconic Little Black Dress fragrance into an objet d’art. This monumental 250 ml black Baccarat crystal bottle commands attention with its bold presence, the deep obsidian hue of the crystal reflecting light with an almost hypnotic depth. The familiar curvaceous silhouette of La Petite Robe Noire is magnified to a monumental scale, yet retains the elegance and playfulness that have made this fragrance a modern classic.

The bottle is exquisitely adorned with Macon Lesquoy embroidered flower ornamentation, where delicate threads trace intricate floral motifs across the crystal surface, creating a tactile and visual interplay between light, shadow, and texture. Each embroidery detail enhances the bottle’s sophistication, making it not only a container but a statement piece worthy of display in any collector’s cabinet or luxury setting. The ornamentation evokes the refinement of couture embroidery, linking the artistry of haute parfumerie with that of fashion design, and providing a fitting visual metaphor for the elegance and allure of the perfume within.

Despite its spectacular presentation, the fragrance itself remains unchanged—a testament to the enduring brilliance of the original Little Black Dress extract. The scent, an intoxicating and sophisticated blend of cherry, almond, berries, and dark floral notes, radiates from the immense crystal vessel as if magnified by the monumental scale of the bottle, ensuring that the perfume’s charm and femininity are undiminished.

Retailing at €12,000, this edition was conceived as both a holiday celebration and a collector’s dream. It embodies a luxurious synthesis of perfume, crystal craftsmanship, and fine embroidery, creating a piece that is as much a work of art as it is a container for one of Guerlain’s most beloved fragrances. Every aspect—from the monumental Baccarat crystal to the embroidered flowers—exudes refinement, exclusivity, and the playful elegance that defines La Petite Robe Noire.







Guerlain's Talc de Toilette

 Guerlain's Talc de Toilette was housed inside of a tin enameled in blue, off white and black.