Sunday, August 31, 2025

Flacon Bouchon Quadrilobe (Quatrefoil Stopper) c1908-Present

The Flacon Bouchon Quadrilobe (Quatrefoil Stopper Bottle) is perhaps the most emblematic vessel in Guerlain’s history, earning its status as the house’s official “flacon maison.” First introduced in 1908 to hold the extrait of Rue de la Paix, it has since been used across the decades for nearly all of Guerlain’s great perfumes. Its enduring presence reflects both the timelessness of its design and the practicality it offered as a standardized bottle that could adapt to changing fashions and formulas while still retaining a sense of heritage.

The bottle takes its name from its distinctive stopper. The clear glass dome is molded with four rounded lobes, forming a stylized quatrefoil. Beyond its visual appeal, this design served a functional purpose: the grooves allowed the baudruchage cording—a silk-thread seal traditionally applied to Guerlain’s bottles—to be passed through and tied securely, ensuring the integrity of the fragrance inside. Originally produced with ground glass stoppers, the bottle later shifted to plastic closures in the 1960s and 1970s to accommodate modern manufacturing and broader distribution.



The production of the Flacon Bouchon Quadrilobe was entrusted to several of France’s most prestigious glassmakers, each contributing their expertise while preserving the bottle’s iconic form. Baccarat, with five known moulds, Pochet et du Courval with six, Saint-Gobain Desjonquères with two, BSN-Flaconnage with three, as well as the Romesnil and Brosse glassworks, and Cristalleries de Nancy, all took part in its manufacture. Though subtle differences in detail and finish can be detected between their versions, the overall design remained faithful to the original conception, ensuring the bottle’s continuity and recognizability over time.

Among these contributors, Baccarat held a particularly significant role, cataloguing the bottle as flacon no. 24, a designation that emphasized its prominence in their enduring collaboration with Guerlain. The Quadrilobe was made available in an extensive range of sizes, from delicate 7.5 ml miniatures, ideal as keepsakes or travel companions, to grand one-liter editions designed as showpieces, gracing elegant vanities and lending a sense of luxury to the dressing table.

While the bottle itself remained consistent, the labels varied. Most were decorated with Guerlain’s classic étiquette laurier, a motif bordered by laurel leaves symbolizing prestige and victory. However, for select perfumes such as Coque d’Or, Dawamesk, Liu, and Fleur de Feu, more modernist labels were chosen, reflecting shifts in design aesthetics of their respective eras.

Even as fragrance fashions evolved, the Flacon Bouchon Quadrilobe remained a unifying symbol of Guerlain’s identity. Its refined simplicity allowed the perfumes to speak for themselves, while the quatrefoil stopper added a note of quiet distinction. More than a century since its creation, it continues to be produced, bridging Guerlain’s Belle Époque origins with its contemporary presence, making it one of the most enduring icons in perfume bottle history.

In 1947, Baccarat reissued the classic bottle with its distinctive quadrilobe stopper, a design that was later also produced by Cristal Nancy. By 1997, this elegant flacon was being offered in larger presentation sizes of 250 ml, 500 ml, and even 1 liter. Originally, the quadrilobe stoppered bottle was created for the perfume Rue de la Paix, but it quickly became a standard Guerlain presentation. Between 1908 and 1912, it was used for several important launches: Une Rose (1908), Quand Vient l’Été (1910), Kadine, Pour Troubler (1911), and Vague Souvenir (1912). Up until August 1914, these perfumes were housed in the Baccarat version of the bottle, each bearing the distinctive “laurel” label printed with Guerlain’s address at 15 rue de la Paix.


The enduring use of the quadrilobe stoppered bottle required glassmakers to repeatedly adapt their original moulds, both for the bottles themselves and for their stoppers. Over time, the transition from traditional ground glass fittings to those with plastic seals (known as plastemeri) inevitably altered the bottles’ capacities and dimensions. With so many adjustments made, it becomes impractical to document every variation, as a single mould could be modified as many as five times for the same nominal capacity, resulting only in subtle differences in size. This pattern of continual revision also applied to other iconic Guerlain presentations, such as the heart-shaped stoppered bottle (Bouchon Cœur) and the fan-shaped, or “bat-wing,” bottle used for Shalimar. The five largest formats of the quadrilobe stoppered bottle remained identical to those produced by Baccarat. However, by 1997, Guerlain’s price list reflected a streamlined offering, listing only the smaller 7.5 ml, 15 ml, 30 ml, and 60 ml sizes.

The original Étiquette “Laurier”, or “laurel” label, used on the quadrilobe bottles, was a distinctive square-shaped paper label that featured the name “Guerlain,” the title of the perfume, and the address of the boutique, all framed within a decorative border of laurel leaves. This label was produced in three different sizes to suit the varying bottle formats: the large size measured 3.8 cm by 3.8 cm, the medium size 2.3 cm by 2.3 cm, and the small size 2 cm by 2 cm.


 




Sizes:


Baccarat:

  • Mould #24 = 80ml/2.7 oz - 9,5cm/3.74"
  • Mould #24 = 125ml/4.2 oz - 11,5cm/4.53"
  • Mould #24 = 250ml/8.4 oz - 13,8cm/5.43"
  • Mould #24 = 500ml/16.9 oz - 17cm/6.69"
  • Mould #24 = 1 liter/1000ml - 22,5cm/8.86"


Pochet et du Courval:


There are modifications to the 30ml, 60ml and 125ml bottles in the 1980s.
  • Mould #13613 = 10cc/10ml/0.338 oz - 5,6cm/2.2" (1924) : ground glass stopper, changed to plastemeri in 1962 (mould #19104).
  • Mould #17077 = 10cc/10ml/0.338 oz - 5,6cm/2.2" (1954) : ground glass stopper
  • Mould #17575 = 20cc/20ml/0.676 oz - 7cm/2.76" (1951) : ground glass stopper
  • Mould #17275 = 40cc/40ml/1.35 oz - 8,5cm/3.35" (1949) : ground glass stopper
  • Mould #19106 = 60cc/60ml/2 oz - 9,5cm/3.74" (1962) : ground glass stopper, changed to plastic stopper
  • Mould #22120= 125ml/4.2 oz - 11,5cm/4.53" (1978) : crystal plastic stopper

Saint-Gobain Desjonqueres:


Engraved on the base "Guerlain, Bottle, Made in FRance, SGD."
  • Mould #5140 (plain 70634) = 7,5ml/1.25 oz - 5cm/1.97" (1980-1987) : plastic stopper
  • Mould #4952 (plain 24582) = 15ml/0.5 oz - 6,3cm/2.48" (1979-1986) : plastic stopper

BSN-Flaconnage:


Glass trademark etched on the base: "Guerlain Paris France, Bottle Made in France."
  • Mould #7129 = 250ml/8.4 oz - 13,8cm/5.43" (1979) : plastic stopper
  • Mould #7146 = 500ml/16.9 oz - 17cm/6.69" (1979) : plastic stopper
  • Mould #7149 = 1 liter/1000ml - 22,5cm/8.86" (1979) : plastic stopper








    Scents:

    • Apres L'Ondee
    • Bouquet de Faunes
    • Candide Effluve
    • Chamade
    • Chant d'Aromes
    • Chypre 53
    • Coque d'Or
    • Cuir de Russie
    • Dawamesk
    • Djedi
    • Fleur de Feu
    • Gardenia
    • Guerlilas
    • Imperial Russe
    • Jasmin
    • Jicky
    • Kadine
    • Lavande
    • L'Heure Bleue
    • Liu
    • Mitsouko
    • Mouchoir de Monsieur
    • Nahema
    • Ode
    • Parfum des Champs-Elysees
    • Parure
    • Pois de Senteur
    • Pour Troubler
    • Quand Vient L'Ete
    • Rue de la Paix
    • Shalimar
    • Sous le Vent
    • Une Rose
    • Vague Souvenir
    • Vega
    • Verveine
    • Vetiver
    • Vol de Nuit
    • etc

    Flacon Bouchon Fleurs (Floral Stopper) c1914-1950

    The Flacon Bouchon Fleurs (Floral Stopper Bottle), produced between circa 1914 and 1950, is one of Guerlain’s most poetic and delicately designed perfume presentations. Created by the celebrated glassmaker Pochet et du Courval, the bottle was reserved exclusively for the extraits of Mi Mai and Jasmiralda, two fragrances that celebrated the opulence of florals in Guerlain’s early 20th-century repertoire. Its exclusivity reinforced the bottle’s rarity and collectible status, while its design perfectly echoed the floral character of the perfumes it contained.

    Crafted in clear glass, the bottle itself is elegant in its simplicity, allowing the rich hues of the perfume to take center stage. Its most striking feature, however, is the stopper: a frosted glass piece molded with delicate flowers in relief. This decorative flourish not only served as a visual clue to the floral nature of the contents but also provided a romantic, tactile element that set it apart from Guerlain’s more architectural or symbolic bottles of the same period. The interplay between the transparency of the body and the frosted, sculptural stopper gave the flacon a luminous, ethereal quality.

    The Flacon Bouchon Fleurs was made available in a wide range of sizes to suit the needs of Guerlain’s clientele. These ranged from intimate personal bottles of 83 cc (83 ml / 2.81 oz) standing 10.5 cm (4.13") tall, to more generous formats such as the 125 cc (125 ml / 4.2 oz) at 12 cm (4.72"), 250 cc (250 ml / 8.4 oz), and 500 cc (500 ml / 16.9 oz) at 18.3 cm (7.2"). At the grandest scale, the bottle was also produced in a majestic one-liter (1000 ml / 33.8 oz) version, which stood 22.3 cm (8.78") tall and would have been intended for display or lavish vanity presentations.

    Produced for nearly four decades, the Flacon Bouchon Fleurs reflects Guerlain’s enduring emphasis on artistry in bottle design. By pairing a pure, understated vessel with a richly symbolic stopper, it offered a harmonious balance between elegance and romance. Today, surviving examples remain treasured by collectors, embodying both the craftsmanship of Pochet et du Courval and Guerlain’s devotion to aligning scent with beauty in every detail.

    • 83cc/83ml/2.81 oz - 10,5cm/4.13" (1912-1951) 
    • 125cc/125ml/4.2 oz - 12cm/4.72" (1912-1951) 
    • 250cc/250ml/8.4 oz - (1912-1951) 
    • 500cc/500ml/16.9 oz - 18,3cm/7.2" (1912-1951) 
    • 1 liter/1000ml - 22,3cm/8.78" (1912-1951)


     

    Flacon Bouchon Coeur (Heart Shaped Stopper) c1912-Present

    The Flacon Bouchon Cœur (Heart-Shaped Stopper Bottle), first introduced around 1912, remains one of Guerlain’s most enduring and romantic perfume presentations. Originally created to hold extraits of L’Heure Bleue, Fol Arôme, and later Mitsouko, the design became an icon of the house, instantly recognizable for its curving silhouette and distinctive heart-shaped stopper. Over the years, its enduring appeal has ensured its continued use, reappearing for limited and special editions such as La Petite Robe Noire, Mitsouko Fleur de Lotus, and Shalimar.

    The bottle was designed by Raymond Guerlain in collaboration with the master glassmaker Baccarat, combining a refined sense of Art Nouveau elegance with the precision of early 20th-century French crystal craftsmanship. Its softly curved shoulders and symmetrical lines lead gracefully upward to the stopper, whose two opposing scrolls join to form a stylized heart. This romantic touch symbolized both the emotional pull of perfume and the house’s intimate connection to its clientele, turning each flacon into a small work of art.

    Throughout its long production, the Flacon Bouchon Cœur has been manufactured by several renowned glassmakers, including Baccarat, Pochet et du Courval, Verreries Brosse, Cristalleries de Nancy, and Cristal Romesnil. While subtle differences in glass quality and finish exist between these manufacturers, the essential design has remained remarkably faithful to Raymond Guerlain’s original vision, a testament to its timelessness.

    Still in production today, more than a century after its debut, the Flacon Bouchon Cœur bridges Guerlain’s rich past with its modern identity. Whether cradling legendary classics like L’Heure Bleue or dressing contemporary editions in historic finery, it continues to embody the romance, artistry, and heritage at the very heart of Guerlain.


    Baccarat:


    • 37ml/1.25 oz - 4"
    • 40ml/1.35 oz - 9,5cm/3.74" (1912, updated edition in 1947)
    • 50ml? - 10.8 cm/4.2" - (1911)
    • 74ml/2.5 oz - 4.50"
    • 80ml/2.77 oz - 11,8cm/4.65" (1912, updated edition in 1947)
    • 80ml/2.5 oz - 4.75" (1947)
    • 3 oz - 5"
    • 119ml/4 oz - 5.25"
    • 5.50"
    • 125ml/4.2 oz - 13,8cm/5.43" (1912, updated edition in 1947)
    • 236ml/8 oz - 6"
    • 250ml/8.4 oz - 16,5cm/6.5" (1912, updated edition in 1947)
    • 500ml/16.9 oz - 20cm/7.87" (1912, updated edition in 1947)
    • 1 liter/1000ml - 24,5cm/9.65" (1912, updated edition in 1947)

    Other manufacturers:


    • 7,5ml/1.25 oz - 6cm/2.36" (1984) : plastic stopper
    • 10ml/0.388 oz - (1954) : ground glass stopper
    • 15ml/0.5 oz - 7cm/2.76" (1979) : plastic stopper
    • 20ml/0.676 oz - 8,2cm/3.23" (1935) : ground glass stopper, changed to plastic in 1968
    • 30ml/1 oz - 9,2cm/3.62" (1924) : ground glass stopper, changed to plastic in 1960
    • 37ml/1.25 oz - 4.50"
    • 50ml/1.7 oz - 10,3cm/4.06" (1930) : ground glass stopper
    • 60ml/2 oz - 13,4cm/5.28" (1962) : ground glass stopper, changed to plastic
    • 85ml/2.87 oz - (1911) : changed to 80ml in 1929
    • 125ml/4.2 oz 16.5cm/6.49"- (1911)
    • 250ml/8.4 oz - (1911)
    • 500ml/16.9 oz - (1911)

      Flacon Borne (Boundary Stone) c1931- 1960s

      The Flacon Borne (Boundary Stone Bottle), produced from around 1931 into the 1960s, is one of Guerlain’s most distinctive and architectural perfume presentations. Made by Pochet et du Courval, the design was intended for Guerlain’s most prestigious extraits, including Shalimar, Mitsouko, Jicky, L’Heure Bleue, Sillage, and others. Its form was inspired by the stone boundary markers that lined the roads of France, a fitting symbol for Guerlain’s role as a guiding landmark in the landscape of French perfumery.

      The original version, introduced in 1931, held 82 cc (82 ml / 2.7 oz) of extrait and measured 10.5 cm (4.13") tall. Crafted in clear glass, the flacon was strikingly ornamented with a bold cobalt blue enamel band running down its center, a vertical accent that emphasized the bottle’s strong geometry. The stopper added to the originality of the design: a ground blue glass piece truncated into the shape of a French policeman’s cap (képi), lending the bottle a distinctly modern, masculine touch that contrasted with the softness of the perfumes inside. This juxtaposition of strength and refinement made the Flacon Borne a memorable and collectible design of its era.

      During World War II, the bottle underwent a simplification. The wartime version was produced entirely in clear glass, with the cobalt blue enamel band omitted, likely due to shortages of materials and the general austerity of the period. Even without its colorful accent, the bottle retained its powerful architectural presence, reflecting Guerlain’s ability to adapt its luxurious presentations to the realities of the time.

      The Flacon Borne thus represents both stability and adaptability within Guerlain’s history. Its bold, columnar form made it instantly recognizable, while its variations tell the story of the house navigating prosperity, war, and recovery. Today, it remains a striking example of Guerlain’s collaboration with Pochet et du Courval and a cherished collectible that embodies both Art Deco modernism and mid-20th-century resilience.


      The original version: with a blue band and stopper, base molded with "Guerlain - Paris - France", and fitted with red, white and blue paper label, and matching cardstock box covered in red, white and blue paper.

      The version made during WWII: with a clear glass band and fitted with the black, white and red Marley horse labels identical to those on the "Guerre Flacons." Housed inside of the blue "temporary" design box.

      Sizes:


      Pochet et du Courval produced one mould:
      • Mould #14738 = 82cc/82ml/2.7 oz - 10,5cm/4.13" (1931), ground blue glass truncated stopper in the shape of a French policeman's cap. 
      • World War II Version, all clear glass, without cobalt blue band, clear round blown glass stopper.











      Scents: 

      • A Travers Champs
      • Bouquet de Faunes
      • Candide Effluve
      • Champs Elysees
      • Coque d'Or
      • Fleur de Feu
      • Fleur Qui Meurt
      • Gardenia
      • Gavotte
      • Geranium d'Espagne
      • Guerlilas
      • Guerlinade
      • Imperial Russe
      • Jasmin
      • Jasmiralda
      • Jicky  
      • Kadine
      • Kriss
      • L'Heure Bleue
      • Lilas
      • Liu
      • Mitsouko
      • Shalimar 
      • Tsao-Kao
      • Vague Souvenir
      • Vega
      • Verveine 

      Flacon Amphore (Amphora) c1955-1982

      The Flacon Amphore, produced between 1955 and 1982, is one of Guerlain’s most recognizable and enduring perfume bottles. Its origins trace back to the launch of Ode in 1955, when the design was first introduced as the “Ode” flacon. Baccarat produced the earliest examples in two sizes, 40cc and 80cc, both under mould #816. The bottle itself was a delicate composition of clear crystal with frosted drapery accents, capped with a ground glass stopper molded into the shape of a rosebud. The presentation was equally refined: Draeger, a renowned Parisian design house, created exquisite floral illustrations that adorned the silk-covered boxes, available in both flat and hatbox styles.

      Following the success of Ode, Guerlain adapted and slightly modified the “Ode” bottle into a standard design that would come to be known as the “Amphora” flacon. This version was produced over several decades and used for a wide variety of Guerlain extraits, including Shalimar, Mitsouko, Jicky, L’Heure Bleue, Liu, Chant d’Aromes, Muguet, Chamade, Sous le Vent, Vol de Nuit, and others. Production was not limited to Baccarat alone; over the years, the amphora was manufactured by five major glassworks: Baccarat, Pochet et du Courval, Saint-Gobain Desjonqueres, the Romesnil glassworks, and Brosse. Baccarat’s original moulds set the precedent, but subsequent variations were introduced to accommodate broader production.


      The presentation boxes reflected Guerlain’s tradition of aligning packaging aesthetics with the character of each fragrance. While Ode retained Draeger’s original floral silk-covered designs, other perfumes housed in the Amphora flacon were sold in flat boxes decorated with motifs and colors specific to the scent: pink and green for Chant d’Aromes, parquet-patterned for Mitsouko and L’Heure Bleue, and bold zebra striping for Sous le Vent. In some instances, perfumes were presented in a standard coffee-bean patterned box, a recurring Guerlain motif of the era.

      The labels used on the Amphora flacon also varied but remained distinctive. The most iconic is the gold-foiled “bat-wing” paper label, identical in design to the one first used on Ode bottles, though slightly adjusted in size (2.2cm x 0.4cm). Other examples include black-and-white demi-lune labels, similar to those employed for the Stilboide Fluide. These subtle but thoughtful variations in labeling and presentation highlight Guerlain’s enduring dedication to detail and luxury, ensuring that the Amphora bottle remained both versatile and unmistakably elegant throughout nearly three decades of production.


      Sizes:



      Baccarat Flacons:

      • Mould #816 = 40cc/40ml/1.35 oz - 14,5cm/5.71" (1955) 
      • Mould #816 = 80cc/80ml/2.7 oz - 18,3cm/7.2" (1955)


       Pochet et du Courval:

      • Mould #18691 = 15cc/15ml/0.5 oz - 11.5cm/4.53" (1959) ground glass rosebud shaped stopper, changed to plastic rosebud screwcap in 1978. 
      • Mould #18151 = 20cc/20ml/0.676 oz - 11.5cm/4.53" (1955): frosted drapery, transparent or gold screw cap.
      • Mould #18140 = 30cc - 12.5cm  (1955) frosted drapery, ground glass stopper 

      Saint-Gobain Desjonqueres:

      • Mould #52097 = 15ml - 11.5cm (1978) plastic screw stopper, base engraved "Guerlain - Bottle Made in France"

      Bottles:










      Scents:

      • Apres L'Ondee
      • A Travers Champs
      • Atuana
      • Chamade
      • Champs Elysees
      • Chant d’Aromes
      • Chypre 53
      • Dawamesk
      • Fleur de Feu
      • Geranium d'Espagne
      • Heliotrope
      • Jasmin
      • Jicky 
      • Kadine
      • L’Heure Bleue
      • Liu 
      • Mitsouko
      • Mouchoir de Monsieur
      • Muguet  
      • Ode
      • Parure
      • Rue de la Paix
      • Shalimar
      • Sous le Vent
      • Une Rose
      • Vega
      • Verveine
      • Vetiver
      • Vol de Nuit 

      Flacon Vinaigrier Ottoman (c1870s-1915?)

      The Flacon Vinaigrier Ottoman, created for Guerlain around the 1870s and produced until roughly 1915, is one of the most exceptional and rare perfume presentations of the house. Made by the master glassmaker Pochet et du Courval, the bottle is remarkable for its amphora-like silhouette, recalling ancient vessels once used to store precious oils and elixirs. Its design captures the 19th-century fascination with Orientalist themes, translating them into a luxurious object that blended historical inspiration with the decorative tastes of the Belle Époque.

      Standing an impressive 21 cm tall, the flacon features a cylindrical section that expands into a lobed, bulbous belly before tapering into a tall funnel neck. This dramatic profile is further enhanced by the rich surface decoration: hand-painted, polychrome enamel designs in olive green, red, and deep blue, all intricately accented with gilt. The stopper, too, is finely ornamented, continuing the theme of opulence and artisanal detail. Each example was individually enameled by hand, meaning no two bottles were identical, and their elaborate decoration elevated them beyond mere perfume containers into the realm of art glass.

      Because of the time and craftsmanship involved, the Vinaigrier Ottoman was offered only by special order, making it an object of privilege and exclusivity even in its own day. Its rarity is compounded by the fragile nature of the painted enamels and the limited numbers produced. Today, surviving examples are considered treasures of Guerlain’s early history—testimonies not only to the artistry of Pochet et du Courval but also to Guerlain’s longstanding commitment to pairing its fragrances with bottles of extraordinary beauty and cultural resonance.

      Flacon Aigle (Eagle) c1985-1993

      The Flacon Aigle (Eagle Bottle), produced between 1985 and 1993, was an exclusive design created to house Guerlain’s distinguished men’s fragrance Derby. Manufactured by the renowned French glassmaker Pochet et du Courval, the bottle embodied both strength and refinement, qualities that perfectly mirrored the character of the scent it contained. Its name, “Aigle,” directly references the eagle—an enduring symbol of power, nobility, and freedom—which lent the flacon a distinctly masculine identity.

      Reserved solely for Derby, the Flacon Aigle became inseparable from the fragrance itself, marking it as a connoisseur’s choice within Guerlain’s masculine range. The design’s exclusivity emphasized Derby’s special position in the house’s catalog, distinguishing it from other Guerlain releases of the time. Although produced for less than a decade, the Flacon Aigle remains a notable example of Guerlain’s collaboration with Pochet et du Courval, uniting heritage glassmaking with evocative symbolism to create a vessel that was as striking and dignified as the fragrance it carried.
      • 50ml/1.7 oz - 9,3 cm/3.66" (1983) 
      • 100ml/3.4 oz - 11,5 cm/4.53" (1983) 
      • 200ml/6.7 oz - 14,2 cm/5.59" (1983) 
      • 500ml/16.9 oz - 19 cm/4.48" (1983)

       

      Guerlain's Talc de Toilette

       Guerlain's Talc de Toilette was housed inside of a tin enameled in blue, off white and black.